Jeff Rice at the Los Angeles premiere of the Roland Joffé-directed thriller 'The Forgiven'. The film is set after the Apartheid and stars Forest Whitaker as Archbishop Desmond Tutu - Los Angeles, California, United States - Thursday 8th March 2018
Even though this crime thriller is based on a true story, it never feels remotely believable. The problem is that writer-director Walker tries far too hard to force the real events into a standard movie structure, which leaves gaping plot holes everywhere we look. Still, it's a solidly made film, with a snappy pace, strong performances and beefy direction that holds our attention.
It's set in 1983 Anchorage, Alaska, where the cops struggle to believe the story told to them by 17-year-old prostitute Cindy (Hudgens): she claims to have been kidnapped, tortured and raped, barely escaping with her life, and she identifies upstanding citizen Robert (Cusack) as her would-be killer. With the police refusing to follow up on her statement, State Trooper Jack (Cage) looks into it and discovers similarities in the cases of several other missing girls. And even though his out-of-hours investigation strains his marriage to Allie (Mitchell), he is doggedly determined to find the proof that will put Robert behind bars.
Right at the beginning we have a nagging question that's never answered: why do the police discount the victim's account, especially as it's accompanied by physical evidence? And the screenplay brushes past other big issues along the way, making us think that this might be the most inept police squad in the world. Although we never doubt for a second that Jack will crack the case, even though the script continually throws in random movie cliches from the characters' pasts in an attempt to ramp up the emotional stakes. It also randomly places Cindy in the middle of an under-developed war between two pimps (Jackson and Henke).
Continue reading: The Frozen Ground Review
Blonde Ambition, alas, ultimately earned substantially more than it deserved. As a star vehicle for Jessica Simpson, produced by her dad (with the aid of seven other producers), it's a rolling disaster from start to finish.
Continue reading: Blonde Ambition Review
Following one of the most pitiful title sequences I've ever seen, The Watcher actually proceeds to become one of the most pitiful thrillers I've ever seen. And that takes some doing... but let me tell you how.
Continue reading: The Watcher Review
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