Just look at the poster (or DVD cover). It's got a giant blue guy, his head hung low, standing in the middle of a highway in the middle of nowhere. Consider as well the title. No way is anything good going to happen to anyone in this film.
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But the end results - from Stolen Summer to this year's The Battle of Shaker Heights - haven't proven strong enough to separate themselves from the series. They struggle to stand on their own two independent feet.
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I've never worked in food service myself. After watching Waiting, I thank my lucky stars for that. It does not appear to be an overly gratifying profession. Strenuous hours. Difficult bosses. Whining customers. Demanding environment. I have, however, been a difficult customer in the past. Waiting has woken me up to the reality of my nature, and the possible consequences I could receive. It goes without saying that my days as an obstinate customer are over.
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Now that the Greenlight formula is well established, it comes as no surprise to find Speakeasy falling right in line with the films we've seen before. It's basically a family drama, it has elements of a period piece scattered throughout, it's got a disabled person or two, and its screenplay eventually wraps around to where things began. Simple, small, and manipulative, this is what Project Greenlight has become all about: It's the Lifetime Network of the indie cinema movement.
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Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.