When a young women finds herself with amnesia following a car accident on Mulholland Drive, she adopts the name Rita and joins forces with an actress named Betty to try and re-discover who she is and where she was going with a strange blue key and a bag full of money. Meanwhile, a filmmaker named Adam Kesher gets roped into a mob deal, and other characters are being stalked by a mysterious and terrifying figure. Doppelgangers, betrayed love and murder line the plot as bit-by-bit Rita makes connections to her memories. Blurring the lines between illusion and reality, dreams and wakefulness, David Lynch gets into the core of the human condition with this surreal mystery.
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The talent behind Eraserhead is that one truly surrealist presence in mainstream American film, David Lynch. Later Lynch would expose the subterranean evil of Capra-esque America in 1986's Blue Velvet, recast The Wizard of Oz among the riotously criminal milieu of 1990's Wild at Heart, and offer us a circuitous journey down Los Angeles's famed Mulholland Drive in 2001 (although you won't be there to admire the view). And critics and audiences will marvel at the perversity of it all.
Continue reading: Eraserhead Review
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