The film is a broad indictment of consumerism, politics, and pretty much everything about humanity in general. In essence it's a story about a couple who try to take a weekend vacation in France, only to be stymied at every turn by traffic, revolutionaries, and ultimately murder in the woods. It's basically a comedy, inasmuch as any film in which a civil war erupts and people get eaten by each other can be considered comedy.
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The Brotherhood of the Wolf has all of the makings of a great French epic. Dashing leading men including Vincent Cassel (The Crimson Rivers), voluptuous women such as Emilie Dequenne and Monica Bellucci, a promising storyline packed full of complex, daunting elements of suspense and mystery, and impressive production values clearly evident in costuming and set design. The problem is that this film is about as French in style and execution as McDonald's French fries.
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The convoluted story has a female violinist (Irène Jacob) shanghaied from her indentured servitude by a semi-wealthy island-dweller (Willem Dafoe). Naturally, the woman's owner becomes a bit miffed and sends some goons (including Rufus Sewell and Sam Neill in a rare bad-guy role) after them. Imagine the hijinks!
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