When he angers Caligula (Jay Robinson) by buying Demetrius (Victor Mature), a slave he had wanted, military officer Marcellus Gallio (Richard Burton) is exiled to Jerusalem. There, he encounters talk of a new 'messiah' named Jesus. When Pilate condemns this well-meaning man, Marcellus is placed in charge of the crucifixion. After the deed, he wins Christ's robe in a dice game. A strange event involving the garment shakes Marcellus to his core, causing Demetrius to steal it and disappear. Returning to Rome, Marcellus is charged by Emperor Tiberius (Ernest Thesiger) to retrieve the shroud and destroy it. Starting his search in Galilee, our hero begins to learn the teachings of Jesus. After coming in contact with former disciple Peter (Michael Rennie), Marcellus repents and returns to Rome to spread the word and win back his former flame Diana (Jean Simmons). Naturally, he too is condemned.
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In Angel Face, Robert Mitchum, the poster boy of film noir, signs off on the genre with his last great portrait of doom. As Jessup, Mitchum is a hunk of a man and knows it but his laconic self-assurance belies that fact that all the women he meets in Angel Face, both good and safe (Mary) and evil and possessed (Jean Simmons' Diane, a cute and an attractive but not-so-innocent package of venality and psychosis), overpower him, and the evil one wins out.
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Ryder plays the cheeky Finn, a precocious grad student pondering a marriage proposal. Having second thoughts, she decides to spend the summer with a gaggle of quilting relatives and their friends, just to sort things out. Well, we see right off the bat that this probably wasn't such a great idea, because each and every one of these people is completely insane.
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The story of a young girl who, after being changed into an elderly woman by an evil witch, joins forces with a petulant playboy wizard against a nefarious sorcerer, Howl's is akin to a cluttered, cacophonous childhood dream come to life. However, as with dreams, Miyazaki's film is also far-too-often a bewildering jumble of intriguing ideas and ingenious images that never fully coalesce into a moving or compelling whole.
Continue reading: Howl's Moving Castle Review
Fifty percent groundbreaking, breathtaking computer-generated visuals, 30 percent New Age spiritual hokum, 15 percent generic post-apocalyptic science fiction and five percent lame action flick clichés, "Final Fantasy: The Spirits Within" is such a eccentric amalgam of methods and moods that it's unlikely to leave anyone terribly impressed in the end. But absolutely everyone will be agog at the first 10 minutes.
Far and away the most mind-blowingly photo-realistic computer-animated movie to date, "Final Fantasy" wastes no time showing off what its huge staff of renderers can do, opening the picture with a fantastical dream sequence that includes a truly transporting alien landscape unequaled in the history of sci-fi cinema.
Its billowy red sky, gigantic looming moon, crystalline rock formations and sweeping vistas feel as real as another world could on screen. This was most definitely not shot through fancy filters in a quarry somewhere.
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David Bowie and Rag'n'Bone Man both won two awards at the 2017 BRIT Awards at the O2 Arena in London last night.
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Guys and DollsTrailerOne of the greatest Broadway musicals, Guys and Dolls will be available to...
Similar to Princess Mononoke and Spirited Away, Hayao Miyazaki's Howl's Moving Castle is a sumptuously...
Hayao Miyazaki's new film "Howl's Moving Castle"is so good that it shames virtually every animated...