Jean-pierre Lorit

Jean-pierre Lorit

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Red (Trois Couleurs: Rouge) Review


Extraordinary
A satisfying conclusion to Krzysztof Kieslowski's spectacular Polish-French-Swiss Three Colors trilogy (with Blue and White), Red is like a French version of The Twilight Zone, following a young model named Valentine (Irène Jacob) through a series of hypnotic meetings with a retired judge (Jean-Louis Trintignant). A mystery unfolds as Valentine discovers the judge's penchant for eavesdropping on his neighbor's calls, which leads to all sorts of romantic mystery and tragedy as secrets are unwittingly revealed and lawsuits are filed. Not even the audience becomes fully aware of the intricacies of the picture until its fantastic conclusion.

Red stands as Kieslowski's most convoluted and difficult work of the series, exploring far more than the idea of "fraternity" suggested by the color and delving deep into symbolism and our notion of "coincidence." Jacob is wonderfully watchable in her most nuanced role ever, and Trintignant's crustiness is bizarrely engaging, making you want to dig deeper into his oddly apathetic character who wants "nothing" further from life. Red is confusing but compulsively watchable.

Continue reading: Red (Trois Couleurs: Rouge) Review

Alice Et Martin Review


Bad
Everything that's wrong with French cinema is on display in Alice et Martin, a daring title for a film that, when translated, means... Alice and Martin. Martin is a troubled young French man (Alexis Loret) who runs away from country home, steals fruit and eggs along the way, and ends up in Paris, where of course he instantly becomes a male model. Here he meets musician Alice (Juliette Binoche), and soon enough she's pregnant. Then he goes nuts.

I didn't understand any of this, and I don't expect anyone else to, either. That is, unless you have a psychic connection with the screenwriter. There are long shots of the countryside, slow-motion shots of waves, and an old man falling down the stairs. What does it all mean? Hell if I know. Something about love, obsession, relationships? I know a lot of crazy people, and none of them act like this.

Continue reading: Alice Et Martin Review

A Matter Of Taste Review


OK
A string of movies emerging from France, including With a Friend Like Harry, The School of Flesh, and The Taste of Others, represent the "new" type of French films that American distributors are looking for. Partially dark comedies, partially thrillers, they get packaged as contemporary French noir. They are also notorious for taking no risks and being barely skin deep with plot and character.

In A Matter of Taste, Frédéric Delamont (Bernard Giraudeau), an industrial tycoon apparently at a peak of his success, is obsessed with two things: food and himself. At a fancy restaurant, he meets a temporary waiter named Nicolas, an irreverent young man with the hands of a pianist and a charming, arrogant smile. To feed his self-indulgence, Frédéric hires Nicolas as a personal food taster. As we soon discover, he is plotting to get the waiter obsessed with the same culinary tastes Frédéric has, and, more importantly, to essentially make Nicolas a living replica of himself. Nicolas, played by Jean-Pierre Lorit, best known for his role as a young law student in Krzysztof Kieslowski's incredible Red, gives his character a touch of unruly enigma, but that is as far as he can go with the role.

Continue reading: A Matter Of Taste Review

Alice & Martin Review


Weak

Handsome, stormy Alexis Lorent gives a memorable performance in his screen debut as the Martin half of "Alice and Martin," a bipolar young man haunted by guilt over the death of his callous father, and forever flighty from a hard childhood under dad's stern hand.

Juliette Binoche ("The English Patient") is also affecting as Alice, an inhibited and financially strapped violinist and Martin's slightly older lover who tries to quell his tortured psyche.

But this awkward drama about romance, estrangement and what people are willing to do for love is such a structural mess that it's impossible to get lost in the strength of the performances because you're too busy trying to keep up with the entangled narrative.

Continue reading: Alice & Martin Review

Jean-pierre Lorit

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Jean-Pierre Lorit Movies

Red (Trois couleurs: Rouge) Movie Review

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A satisfying conclusion to Krzysztof Kieslowski's spectacular Polish-French-Swiss Three Colors trilogy (with Blue and White),...

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A Matter Of Taste Movie Review

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Alice & Martin Movie Review

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