Red stands as Kieslowski's most convoluted and difficult work of the series, exploring far more than the idea of "fraternity" suggested by the color and delving deep into symbolism and our notion of "coincidence." Jacob is wonderfully watchable in her most nuanced role ever, and Trintignant's crustiness is bizarrely engaging, making you want to dig deeper into his oddly apathetic character who wants "nothing" further from life. Red is confusing but compulsively watchable.
Continue reading: Red (Trois Couleurs: Rouge) Review
I didn't understand any of this, and I don't expect anyone else to, either. That is, unless you have a psychic connection with the screenwriter. There are long shots of the countryside, slow-motion shots of waves, and an old man falling down the stairs. What does it all mean? Hell if I know. Something about love, obsession, relationships? I know a lot of crazy people, and none of them act like this.
Continue reading: Alice Et Martin Review
In A Matter of Taste, Frédéric Delamont (Bernard Giraudeau), an industrial tycoon apparently at a peak of his success, is obsessed with two things: food and himself. At a fancy restaurant, he meets a temporary waiter named Nicolas, an irreverent young man with the hands of a pianist and a charming, arrogant smile. To feed his self-indulgence, Frédéric hires Nicolas as a personal food taster. As we soon discover, he is plotting to get the waiter obsessed with the same culinary tastes Frédéric has, and, more importantly, to essentially make Nicolas a living replica of himself. Nicolas, played by Jean-Pierre Lorit, best known for his role as a young law student in Krzysztof Kieslowski's incredible Red, gives his character a touch of unruly enigma, but that is as far as he can go with the role.
Continue reading: A Matter Of Taste Review
Handsome, stormy Alexis Lorent gives a memorable performance in his screen debut as the Martin half of "Alice and Martin," a bipolar young man haunted by guilt over the death of his callous father, and forever flighty from a hard childhood under dad's stern hand.
Juliette Binoche ("The English Patient") is also affecting as Alice, an inhibited and financially strapped violinist and Martin's slightly older lover who tries to quell his tortured psyche.
But this awkward drama about romance, estrangement and what people are willing to do for love is such a structural mess that it's impossible to get lost in the strength of the performances because you're too busy trying to keep up with the entangled narrative.
Continue reading: Alice & Martin Review
We're far too excited about the new season of this epic anthology series.
The final trailer for the new sequel is here.
After a couple of weeks of speculation, the Irish quartet are getting back together for the 20th anniversary of their 1998 formation.
Once a fire fighter, always a fire fighter.
Brody Dalle's band dropped their first new music since 2003's 'Coral Fang'.
A satisfying conclusion to Krzysztof Kieslowski's spectacular Polish-French-Swiss Three Colors trilogy (with Blue and White),...
A string of movies emerging from France, including With a Friend Like Harry, The School...
Handsome, stormy Alexis Lorent gives a memorable performance in his screen debut as the Martin...