Jean-michel Lacor

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Blueberry Review


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Moebius, aka Jean Giraud, is best known as the artist who revolutionized Continental comic books in the 1960s and 1970s. His work, highly stylized and fittingly surreal, is synonymous with science fiction illustration and the premier adult fantasy comic magazine, Metal Hurlant (Heavy Metal, in the states.) While he began his work as an illustrator for various French magazines and fanzines, it wasn't until the 1970s, when he adopted the pen name Moebius, that his work became internationally recognized. Despite his frequent forays into science fiction and fantasy, his western strip Blueberry (with Jean-Michel Charlier) is perhaps his best-known work. While Mike Blueberry, the cowboy hero of the eponymous strip, has traveled the dusty back roads for over 30 years there has not been a film adaptation of his adventures until now.

Jan Kounen, the Dutch cause celebre responsible for the hyperactive cult film Dobermann, tackles the epic story of Blueberry with a careful, almost blissed out style - much to the dismay of fans of his earlier work. Blueberry is a meditative work, a somnambulist's ramble through western history and psychedelica. The film is slowly paced but crescendos in a special effects blowout, a literal celluloid peyote trip, which would make Alejandro Jodorowsky jump with joy. (That isn't a random aside, Blueberry is as close an homage to Jodorowsky's El Topo as a big budget western can get.)

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