Birth hangs its hat on a delicate premise that demands kid gloves if it seriously hopes to sustain the already shaky credibility. An elegant transition of life forces starts the film. Physician Sean dies while jogging. Simultaneously, a baby is born. Fast forward 10 years, where a cave-eyed child coincidentally named Sean (Cameron Bright) claims to Upper West Side basket case Anna (Nicole Kidman) that he is her reincarnated ex-husband. Anna's humorless fiancée (Danny Huston) scoffs at the idea. Her mother (a neglected Lauren Bacall) displays indifference. ("I never liked Sean, anyway," she articulates.) But Anna's not so quick to write the boy off.
Continue reading: Birth Review
Clark teams up with co-director Ed Lachman (lauded cinematographer of Far From Heaven) and his bad-boy Kids screenwriter Harmony Korine to tell us that young people are the most tension-filled, powder keg group in the country. Witness the film's opening credits: the title teen (red-haired Adam Chubbuck) skateboards through a suburban town, enters his local skate park, and puts a bullet through his own head. Roll movie.
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Feige thinks a "new thing" could be on the horizon.
The Netflix original series is in hot waters with mental health experts.