In 1952 Stalin (Dussollier) "purges" the Kremlin of what he thinks are evil Jewish doctors. But he continues to get ill, so he has Dr Anna Atlina (Hands) brought to treat him. She's shocked at meeting the infamous premier, especially as he's heard she has a magnetic power in her hands. She helps alleviate his pain, and as she leaves he threatens her with execution if she ever tells anyone. Her entire life changes bewilderingly as a result, and she never knows when Stalin will summon her next.
Continue reading: An Ordinary Execution [une Execution Ordinaire] Review
When the imaginative Georges (Dussollier) finds a wallet in a parking garage, he begins to wonder about the owner. He hands the wallet to a cop (Amalric) and goes home to his wife (Anne Consigny), with whom he has two adult children (Forestier and Vladimir Consigny). Meanwhile, the wallet's owner, Marguerite (Azema), also begins to wonder about this strange man who found it. But when they get in contact, strange obsessions lead to irrational decisions and actions. Or maybe they're just imagining what could possibly happen.
Continue reading: WIld Grass [Les Herbes Folles] Review
Specifically, Mornings is the story of two composers, Sainte Colombe (Jean-Pierre Marielle) and his protege, Marin Marais (played by Gérard Depardieu as an older man and by his son Guillaume Depardieu for the bulk of the film). Sainte Colombe quickly earns a reputation as a master musician -- adding a seventh string to the viol, for example -- but his shunning of the king even more quickly earns him a place in rural exile. As Colobe's wife has died, he's dedicated himself to his hermitage, and more importantly his music.
Continue reading: Tous Les Matins Du Monde Review
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