Tedeschi plays Federica, a young Italian woman who's trying to make a go of things as a playwright but seems to spend most of her time mooning about in discontent, daydreaming, finding ways to sabotage her relationships, and compulsively going to confession, even though she has nothing to confess. As her working-class, leftist boyfriend Pierre (Jean-Hughes Anglade) reminds her, with the vast sums of money sitting in her bank account, her intermittent writing is actually less a job than a hobby. The film's title is a reference to the Biblical passage about it being easier for a camel to fit through the eye of a needle than for a rich person to enter heaven.
Continue reading: It's Easier For A Camel... Review
Even with her latest turn as bodacious, babe-a-licious video game vixen Lara Croft still clinging to her like a skin-tight silver catsuit, Angelina Jolie is surprisingly credible as a prim and professional FBI profiler in "Taking Lives." Now, if only the plot of this serial killer thriller could have kept up with her in that department.
A slight, and slightly smarter, twist on the genre's average assembly-line offering, the movie's hook is that the unidentified psycho assumes the lives of the people he kills -- mostly handsome, young, well-to-do loners (if there is such a thing). So he could be anyone from the handsome young Montreal detective (Oliver Martinez) who's bitter that Jolie's been brought in on his case, to the handsome young painter (Ethan Hawke) who is the only witness to one of the murders, to the handsome, ominous stranger (Kiefer Sutherland) who seems to be stalking the artist.
But while director D.J. Caruso ("The Salton Sea") takes a judicious, stylish, slow-burn approach to the suspense (this isn't a tawdry twist-a-minute attempt to get your heart pounding), he can't outsmart the holes in the plot (adapted from a novel by Michael Pye), even if most of them appear only in retrospect -- after the dumb, patronizing and currently fashionable second-climax epilogue.
Continue reading: Taking Lives Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.