Gwen Stefani, Jean Harlow and Rooney Sunday 17th April 2011 Gwen Stefani leaving her mother's home carrying the Jean Harlow book, 'Harlow in Hollywood: The Blonde Bombshell in the Glamour Capital, 1928-1937' by Darrell Rooney and Mark A. Vieira Hollywood, California
The Public Enemy, like Warner's own Little Caesar from a year earlier, is classically molded in the template of the early-'30s gangster genre. It follows the rise and fall of a vicious hoodlum who finally repents his ways but falls prey to the very cycle of violence that he himself instigated. Thankfully, the movie's prudish show of outrage at the liquor racket and its plea for civic order is overshadowed by its Pre-Code mischief and the sheer delight of watching James Cagney hone the cock-of-the-walk persona that made him an instant star.
Continue reading: The Public Enemy Review
As a matter of fact, Harlow is the least interesting part of Libeled Lady (she's neither the libeler nor the lady in question), but that doesn't make it a fun little movie. The story is a little tricky, so try to keep up: Socialite Connie Allenbury (Myrna Low) is the subject of Warren's (Spencer Tracy) gossipmongering in newsprint. He says she's a homewrecker, but she disagrees and sues. Warren's busted for making stuff up, but he devises a way out: He'll have friend Bill (William Powell) impersonate The Perfect Guy and get in good with her father, eventually proving that Connie is a homewrecker after all. Oh, but Bill's not married. Warren solves that by having his own girlfriend Gladys (Harlow) marry Bill for the sake of convenience.
Continue reading: Libeled Lady Review
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.
In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...