And forget every image of Vikings you've ever seen, these guys are less Scandinavian herdsman and more post-Apocalypse titans. Remember Humungous from The Road Warrior ("The Ayatollah of Rock and Rolla!")? Throw a few bear skins on that guy and give him a helmet made of twelve ram's horns and he could play every one of the Viking raiders in Pathfinder. I half expected MasterBlaster to come surging out of the primitive landscape.
Continue reading: Pathfinder Review
As a good ol' damsels-in-distress Western with picturesque frontier vistas, a handful of Winchester rifle shootouts and enough character conflict to keep the long horse rides interesting, Ron Howard's "The Missing" is reliable, if over-earnest, matinee fodder.
Unfortunately, the director has his eye on the Oscar, and the strain he puts on a perfectly serviceable story in an attempt to ratchet up the prestige factor makes the movie seem awfully pretentious for a kidnap-and-rescue sagebrush saga.
The always riveting Cate Blanchett perfectly embodies the stamina, bravery and grit of an 1885 frontier woman as Maggie Gilkeson, a widowed mom who has suffered a hard life both with and without husbands and lovers. She has passed on that strength and tenacity to her two daughters -- teenaged beauty Lilly (Evan Rachel Wood), snatched by a gang of Indian guides who have rebelled against the deceitful Army, and stubborn, tough young Dot (Jenna Boyd) who steadfastly refuses to be left behind when a pursuit is mounted. ("I won't stay behind," she wails with powerful determination in the picture's most memorable moment. "Wherever you put me, I'll follow you. You know I will!")
Continue reading: The Missing Review
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