Johnny Depp and Kevin Smith are teaming up with their daughters for the second movie in Smith's "True North Trilogy". But what do we know about it so far?
After a run of poorly received films that have dented Johnny Depp’s reputation as a box-office magnet, the Hollywood superstar must be keen to move onto pastures anew. For his newest venture, Depp has teamed up with cult filmmaker Kevin Smith in a high-concept action movie based around the exploits of a pair of teen yoga fanatics and their fight against evil spirits. Depp’s daughter Lily-Rose and Smith’s daughter Harley Quinn will take the lead roles whilst Depp will co-star in the curiously entitled project, Yoga Hosers.
In recent years, Depp's box-office status has tailed off after some poor performances.
Set in rural Canada, Smith has written the film and will direct it when it begins production. The story will follow the two girls as they battle a mysterious and ancient evil that threatens a planned party by rising from the underground, penetrating through a spiritual netherworld to usurp the two girl’s weekend plans to attend the coolest party in town. It will mark the second venture by Smith in a trilogy of films, nicknamed the “True North Trilogy” set in the vast and spacious Canadian countryside. The first, Tusk, is currently scheduled to do the rounds in the Autumnal film festival circuit and features largely the same cast as Yoga Hosers. Harley Quinn and Lily Rose also appear in Tusk in roles that are synonymous with Smith’s directorial oeuvre: convenience store clerks. For Yoga Hosers, however, the girl will take on much more pro-active roles.
After the death of Big Red (Howland), a legendary Texas sports mascot who later became a diminuitive pornstar, his son (Hapka) and widow (Powell) are told that, to get their money, they must stage a 30-day competition between midgets and mascots. So the two teams are assembled, and competing with on midget team is former child star Coleman, who one teammate calls the "Shaquille O'Neal of little people". With 30 events overseen by Big Red's assistant (Kotabe), the competition spirals increasingly out of control.
Continue reading: Midgets Vs Mascots Review
As with most of the filmmaker's oeuvre, all you need to know is in the title. Zack (Rogen) and Miri (Elizabeth Banks) are best friends, living together and working crap jobs in Pittsburgh. They barely make rent and often substitute frivolous pleasures like sex toys and hockey skates in lieu of water and heat. It's at a high school reunion that they reconnect with Miri's high-school crush Bobby Long (Brandon Routh of Superman Returns) and his lover (Justin Long), both gay porn stars earning triple-digit incomes in Los Angeles. At a bar afterwards, Zack realizes that a similar career path would solve Miri's and his financial troubles.
Continue reading: Zack And Miri Make A Porno Review
Over the course of three seasons, Greenlight made mountains out of molehill-sized production problems for the benefit of its drama-craving audience. The program also took joy in vilifying bullish producer Chris Moore, a headstrong professional whose chief crime was trying to keep unfocused amateur film makers on track. Not surprisingly, the weekly episodes ended up being more entertaining than the theatrically released films.
Continue reading: Feast Review
In Dogma, Smith's long-awaited and already vilified indictment of the Catholic church, the auteur has gone to great lengths to show us he can take on any establishment and gut it wide open. To wit:
Continue reading: Dogma Review
R.S.V.P. takes the Rope recipe into the MTV zeroes, upping the body count considerably, transplanting the story to Las Vegas (in an apartment worthy of a Real World season), and packing in the sexy young stars (all up-and-comers and relative unknowns) to the point where they're spilling out the windows. Literally.
Continue reading: R.S.V.P. Review
If you looking for a plot in Jay and Silent Bob Strike Back, don't bother. Smith uses the safe convention of repetition by including certain key locations of his first three films and all of their main characters -- minus Dogma. By doing this, Smith creates a familiar universe for Jay and Silent Bob to venture through and trick the audience into remembering their old favorites and ignore the throwaway script.
Continue reading: Jay And Silent Bob Strike Back Review
Hey everybody, wanna watch a movie in which a guy dressed as a children's party clown gets violently gang-raped? I didn't think so. But here's the bigger question: Why would Kevin Smith protégé Bryan Johnson want to write and direct such a movie?
"Vulgar" is a product of View Askew, the production company that makes all Smith's joyously juvenile and sometimes insightful comedies, like "Clerks," "Chasing Amy," "Dogma" and "Jay and Silent Bob Strike Back." Johnson is a friend of Smith's and a frequent bit player in his movies (fans know him as Steve-Dave Pulasti). To watch his debut as a writer-director is to get the distinct impression that Smith owed him a favor.
Brian O'Halloran (the convenience store clerk from "Clerks," et al) stars in this unpleasantly dark comedy-drama as a down-on-his-luck professional clown who hits on the idea of jumping out of cakes in full Bozo regalia at bachelor parties as a joke before the "real" entertainment arrives. His first gig at a run-down motel goes badly -- he's sexually assaulted by a violent middle-aged drunk (Jerry Lewkowitz) and his halfwit hillbilly sons (Ethan Suplee and Matthew Maher).
Continue reading: Vulgar Review
Thanks to all the is-it-or-isn't-it-blasphemy controversy surrounding "Dogma," writer-director Kevin Smith has added a tongue-in-cheek disclaimer to the opening of this renegade ribbing of the Catholic church that is so amusing ("...God has a sense of humor, just look at the platypus") it will have audiences in stitches even before the first line of dialogue.
Whether or not you'll think the movie stays this funny will depend on how sensitive you are about your position on the religious yardstick, your threshold for soapbox pontification and what it takes to gross you out.
Smith, the maverick Generation X satirist responsible for ragtag underground hits "Clerks" and "Chasing Amy," makes no bones about testing the limits of irreverence and good taste in this ironically snappy and smart-mouthed theological deliberation.
Continue reading: Dogma Review
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