Jason Behr and Kadee Strickland - The John Varvatos 12th Annual Stuart House Benefit with Honorary Chair Chris Pine. Live performance by Ziggy Marley, guest DJ performance by Nick Simmons and Wade Crescent - Arrivals at John Varvatos Boutique West Hollywood - Los Angeles, California, United States - Sunday 26th April 2015
There's an ongoing war between two lupine factions. On the one side are those who feel that the ancient ability to shapeshift is a curse, and want desperately for an ambiguous prophecy to be fulfilled. Then there are the blood-addicted, supernatural junkies who love killing so much that they want to keep the foretold omen from occurring. And what is this fabled forecast? Seems a young boy, born of human mother and wolfman seed, will turn 13 and... well, that part's not all that clear. Apparently, once the kid hits puberty, he will put the depressed beasts out of their misery while buzz killing the other lycanthropes happy hunting. So naturally, one side protects the brat (named Timmy), while the other is looking to carve up his adolescent guts.
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Let me recap what I could glean about the story, primarily from the Internet Movie Database and secondarily from actually watching the film: There are creatures of Korean legend, a Good Imoogi and a Dark Imoogi, who both want to become more heavenly dragons. The legend isn't well-clarified by the film's visualization of the non-dragon Imoogis, which bear a striking resemblance to a) giant snakes, b) each other, and, to a lesser but still confusing extent, c) dragons.
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By this roundabout logic, Gellar seems a natural fit for The Grudge, Takashi Shimizu's sufficiently creepy remake of his own cult Japanese horror flick Ju-on, a film he's made versions of a shocking five times now. Americanized and aimed squarely at the people who turned The Ring into a surprise hit, Grudge should satisfy audiences seeking a few cheap jolts for their dollar this Halloween season.
Continue reading: The Grudge Review
Remaking hit Japanese horror movies (a la 'The Ring') is Hollywood's latest plan to rake in big bucks without actually having to be creative or original -- and while "The Grudge" is nothing more than a cultural twist on the standard-issue haunted house movie, I will give credit to director Takashi Shimizu (remaking his own film "Ju-On") for giving me goosebumps. Lots and lots of goosebumps.
He succeeds on this front by providing truly chilling ghosts -- floating specters of inky black tendrils that form into the gray porcelain faces, horrifically gaping mouths and kohl-ringed, milk-saucer eyes of a family murdered in a Tokyo house that is now occupied (but not for long!) by the wife and terrified, catatonic mother of an American businessman.
But Shimizu also lends the film a unique structure that helps set it apart from the kind of prefabricated scary movies that dominate the genre. He follows a psychological (rather than chronological) narrative into an interactive patchwork of long flashbacks that reveal the genesis of the haunting and tie the whole six-degrees-of-separation story together in its latest victim -- an exchange student played by Sarah Michelle Gellar.
Continue reading: The Grudge Review
Date of birth
30th December, 1973
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