While Sean Penn lends this thriller some political subtext, the fact remains that it's actually just another vacuous revenge fantasy from Taken director Pierre Morel. Clearly for Morel, the violence is the point, and any depth of meaning is irrelevant, which leaves the film superficially entertaining but a waste of the considerable talent on-screen.
Penn plays Jim, a charity worker in the wartorn 2006 Democratic Republic of Congo. His hot doctor girlfriend Annie (Jasmine Trinca) has no idea that Jim is secretly a black-ops sniper working with fellow mercenary commandos Cox, Felix and DuPont (Rylance, Bardem and Elba). Then their latest mission requires Jim to disappear. Eight years later in an all-new life, Jim discovers that someone is trying to kill him, so he travels to London to find Cox. When Jim's pursuers turn up, Cox sends him to talk to Felix, who now lives in Barcelona with Annie as his wife. With the mysterious killers still on his trail, Jim heads to Gibraltar to tie up the loose ends with DuPont, and finally discovers the truth about what's going on and who's behind it.
Yes, everything is leading to a brutal confrontation inventively set in a bull-fighting ring. But not much else here is either original or convincing. The whole African politics premise is little more than a plot device, while hopping from Congo to Britain to Spain does little more than change the background scenery. Otherwise, the script is so simplistic that it barely holds water, and each ambush, fight and chase sequence feels like something we've seen before. Especially since everything is both over-choreographed and gratuitously grisly. Still, Morel is great at creating a sense of tension that builds ominously from start to finish, adding some gritty urgency through corrupt politicians and self-serving businessmen. Unfortunately, the film continually sidelines these intriguing ideas for more mindlessly violent mayhem.
Continue reading: The Gunman Review
Jasmine Trinca - A variety of stars were snapped on the red carpet as they arrived for the premiere of 'The Gunman' which was held at the BFI Southbank in London, United Kingdom - Monday 16th February 2015
He's worked for the same company for years, and one day he is asked to work late. What his wife doesn't know, however, is that Jim Terrier (Sean Penn), is actually a hired assassin. When his late-night hit goes wrong, he is faced with a sense of morality over what he has done over the year, and how his future is going to be affected by the mistake. After facing his employers, he finds himself unable to leave the mess he created, and when he tries to expose his organisation, they kidnap his wife. Now, Terrier must fight against his employers for the safety of his family - let alone his own life.
Continue: The Gunman Trailer
Madame Marie-France (Lvovsky) is struggling to keep her brothel open in 1899 Paris. Even though her licensed high-class girls have loyal clients, trouble is brewing. As the new century dawns, Madeleine (Barnole) is viciously attacked by a regular customer (Lacotte), and there are also the usual worries of pregnancy and syphilis. Although at least there's a new girl, 16-year-old Pauline (Zabeth), to attract fresh customers. But rising rent and shifting morality is changing the business, and Marie-France may need to take drastic measures to survive.
Continue reading: House Of Tolerance Review
The first (and last) thing that people know of Best of Youth is that it is six hours long. This is indeed true. But rather than a deterrent, this should actually serve as an enticement - it's a film that has room to relax. Best of Youth starts with two brothers who come of age in Rome during the golden year of 1966. There's scooters on which they can zip about the graciously aging city, American R&B tootling out of radios everywhere, friendly prostitutes to relieve them of burdensome virginity, and, in short, their whole lives in front of them.
Continue reading: The Best Of Youth Review
Slow is the best description for the film at first. It takes its time in establishing the habits of what appears to be a normal, happy family. Father and mother both work but still find the time to support their son and daughter through homework and after school activities. They laugh, spend free time together, and reprimand the kids for innocent wrongs with a sigh and soft pat on the shoulder. You get the feeling there is open communication and unconditional love amongst the foursome.
Continue reading: The Son's Room Review
While Sean Penn lends this thriller some political subtext, the fact remains that it's actually...
Beyond the obvious fact that prostitution is depressing and degrading to women, this film doesn't...
There's a moment early on in the bright, roomy Italian melodrama Best of Youth that...
For those who associate Italian cinema with Fellini and "high art," The Son's Room is...