Janet Zarish

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The Next Big Thing Review


Good
The art gallery world gets a decent comedic prod in this new film by writer/director brothers P.J. and Joel Posner. Set amongst the spoiled and the starving in New York, The Next Big Thing pits artistic intelligence against a pleasantly simple love story, all centering around independent favorite Chris Eigeman (The Last Days of Disco).

Eigeman is Gus, who starts out the film having the worst possible day. On his way to an important meeting, battered portfolio in hand, his wallet is swiped by a swindler escaping from subway havoc. The interview goes poorly with gallery owner Arthur Pomposello (an unrecognizable Farley Granger, of beloved Hitchcock fame) because Gus just doesn't "catch you." His shading shows talent and his composition is pleasant to look at, but he doesn't display the normal despondence and stereotypical artistic pain seen in his peers.

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