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Joe Coleman , Janet McTeer - The Olivier Awards 2016 held at the Royal Opera House - Arrivals - London, United Kingdom - Sunday 3rd April 2016

Joe Coleman and Janet Mcteer
Joe Coleman and Janet Mcteer

Janet McTeer - ****File Photo** MARK RYLANCE has been nominated for an Olivier Award, less than 24 hours after winning an Oscar for BRIDGE OF SPIES. The 56-year-old actor has been in the industry since the 1980s but it has been the last few years that have seen him receive huge critical acclaim. After taking home the Academy Award for Best Supporting Actor in Steven Spielberg's Cold War drama at the ceremony on Sunday night (28Feb16), Mark has been recognised for his role in Farinelli And The King at the Duke of York's Theatre last September (15). He will have some tough competition if he's to take home a prestigious Olivier Award, however, as he is up against Kenneth Branagh for The Winter's Tale, Benedict Cumberbatch for Hamlet, Adrian Lester for Red Velvet and Kenneth Cranham for The Father. Leading the ladies' category is Nicole Kidman who, fresh off the back of taking home a WhatsOnStage theatre award earlier this month (Feb16), has been nominated for Best Actress for Photograph 51. Gemma Arterton is nominated in the same category for Nell Gwynn, while Janet McTeer, Denise Gough and Lia Williams are also up for the gong. Judi Dench received her 15th Olivier Award nomination, this time for Best Actress in a Supporting Role for The Winter's Tale, and is up against lesser known actresses Michele Dotrice, Melody Grove and Catherine Steadman in her category. In the Best Actor in a Supporting Role selection, Mark Gatiss will face off against Michael Pennington, Tom Sturridge and David Suchet. Meanwhile, Imelda Staunton also notched up another nod to add to her collection, receiving her 11th Olivier nomination for Best Actress in a Musical thanks to her role in Gypsy. Tracie Bennett, Natalie Dew, Laura Pitt-Pulford and Emma Thompson's sister Sophie are also up for that prize, while David Haig will compete against Ian Bartholomew, Killian Donnelly, Matt Henry and Jamie Parker for Best Actor in a Musical. Gypsy proved one of the most popular shows recognised in this year's nomi - Berlin, Germany - Saturday 7th February 2015

Janet Mcteer
Janet Mcteer

Janet McTeer and Joe Coleman - BAFTA Los Angeles Awards Season Tea Party At Four Seasons Hotel - Los Angeles, California, United States - Saturday 11th January 2014

Janet Mcteer and Joe Coleman
Janet Mcteer and Joe Coleman
Janet Mcteer
Janet Mcteer

Janet McTeer and Joe Coleman - BAFTA 2014 Awards Season Tea Party held at the Four Seasons Hotel in Beverly Hills, California 11-1-2014 - Los Angeles, California, United States - Sunday 12th January 2014

Janet Mcteer and Joe Coleman
Janet Mcteer and Joe Coleman
Janet Mcteer and Joe Coleman

'The White Queen' DVD And Blu-Ray To Be Released On 19th August 2013

Posted on 16 July 2013

'The White Queen' Dvd And Blu-ray To Be Released On 19th August 2013

Janet McTeer, Joe Coleman and Independent Spirit Awards - Janet McTeer and Joe Coleman Saturday 25th February 2012 27th Annual Independent Spirit Awards - Outside Arrivals

Janet Mcteer, Joe Coleman and Independent Spirit Awards
Guest, Janet Mcteer and Independent Spirit Awards
Guest, Janet Mcteer and Independent Spirit Awards

Janet McTeer and Independent Spirit Awards - Janet McTeer and Guest Saturday 25th February 2012 27th Annual Independent Spirit Awards at Santa Monica Beach - Arrivals

Janet Mcteer and Independent Spirit Awards
Janet Mcteer and Independent Spirit Awards

Janet McTeer and Academy Awards - Janet McTeer and Guest Friday 24th February 2012 GREAT British Film Reception to honor the British nominees of The 84th Annual Academy Awards at the British Consul General’s Residence

Janet McTeer Friday 24th February 2012 5th Annual Women In Film Pre-Oscar Cocktail Party held At Cecconi's Restaurant

Janet Mcteer
Janet Mcteer

Glenn Close and Janet McTeer - Glenn Close, Janet McTeer Monday 6th February 2012 AARP's 11th Annual Movies For Grownups Awards at the Beverly Wilshire Hotel

Glenn Close and Janet Mcteer
Glenn Close
Glenn Close
Glenn Close
Glenn Close

Albert Nobbs Trailer


Ever since the age of fifteen, Albert Nobbs has worked and lived in hotels. Thirty years later, he is a dedicated servant at Morrison's Hotel. He goes out of his way to make the guests feel at home and is generally well-liked.

Continue: Albert Nobbs Trailer

Cat Run Trailer


Anthony and Julian are childhood best friends who set up a detective agency, Anthony always wanted to be a chef and Julian's never really had any dreams unless they involve women so logically they thought going into business together would be a good idea.

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Janet McTeer Friday 1st May 2009 Drama Desk Nominees Cocktail Party held at Il Bastardo Ristorante New York City, USA

Janet Mcteer

Tideland Review


Terrible
It's not that there's necessarily anything wrong with a film that uses the dead gas escaping from a putrefying corpse for comic effect by making it sound like flatulence. There's nothing that says a film can't find the humor or humanity in a mentally damaged, possibly homicidal man befriending a lonely pre-teen girl of dubious sanity with whom he seems to have less-than-honorable intentions. And there's nothing wrong with having squirrels or severed dolls-heads speak to that same girl in lieu of human companionship. In short, it's not the dark subject matter of Terry Gilliam's Tideland that makes it so squirmingly unwatchable, it's his callous, giggly, and monstrously tone-deaf approach.Based on the novel by Mitch Cullen, Gilliam's film is a trippy fantasia that has the feeling of a Neil Gaiman pastiche of a junkie version of Alice in Wonderland as interpreted by Asia Argento and JT LeRoy -- only worse. The rather brilliantly naturalistic Jodelle Ferland wastes her talent playing Jeliza-Rose, a young girl of uncommonly optimistic outlook whose no-good parents (Jennifer Tilly and Jeff Bridges) are squabbling junkies who barely pay attention to her unless it's to help them shoot up. Not long into the film, Tilly fatally overdoses, sending Jeliza-Rose and her dad, Noah, on the road, as Noah is convinced in his heroin haze that the authorities will be after him. They end up at his old family farmhouse, boarded up and filled with the dusty memories of his long-dead mother. Then Noah ODs, too, leaving Jeliza-Rose on her own.She doesn't seem to mind, really, as it takes her awhile to even realize Noah is dead (in the meantime, she dresses his corpse in a wig and makeup). The world through Jeliza-Rose's eyes seems a pretty wonderful place, which she fills with imaginary voices and fantastical creations. The house itself is full of undiscovered treasure and surrounded by tall, wind-blown prairie grass. Meanwhile, just down the road is another house where a crazy woman in a black beekeepers' outfit (Janet McTeer) and her younger brother (Brendan Fletcher), the previously mentioned potential psychopath who initially comes off as an innocent but seems later to take a liking to Jeliza-Rose.Tideland is obviously a story packed full of material that's best handled delicately, what with the overall fog of insanity and the intimations of pedophilia. The problem here is that "delicate" is not a word one would ever use to describe Gilliam. A filmmaker with obvious and commendable visual talents (strangely in abeyance here), his storytelling taste has always vacillated between the sarcastic and the sentimental, with Tideland being a stomach-churning slurry of the two. In a story that calls for a light hand, Gilliam uses only the hammer, smacking home each and every scene with acting best described (with the exception of Ferland) as hysterical and a sense of humor that goes beyond the merely tasteless and verges on the deranged.There's always the chance that the whole film is a great put-on, a low-budget joke of the most gigantic order -- it does literally end, after all, with a train-wreck. Anything is possible. But that may not matter in the end, because if there was ever a film to end a career, Tideland is it.The tide is high and I'm movin' on.

Tumbleweeds Review


OK
Mother and daughter pack up from hillbilly land and head for California: Does it sound like we've been over this ground before?

The similarities between Tumbleweeds and Anywhere But Here (the corpse of which is not even cold) are astonishing. In Tumbleweeds, Mom Mary Jo (McTeer) is a put-upon single mother; daughter Ava (Brown) is brash and headstrong. The two drive to California, intent on "starting over," -- in the case of Tumbleweeds, an escape from physical abuse, or at least the threat of it. Anywhere But Here: same story, sans the abuse.

Continue reading: Tumbleweeds Review

The Intended Review


Very Good
Who knew that in 1920s England, people would have thought that moving to Malaysia to hunt ivory would have been thought of as a good idea with a future that promises riches?

When Sarah (Janet McTeer) and her surveyor fiancee Hamish (JJ Feild) arrive in the jungle, they assume great things are on the way. But no sooner has Hamish completed his first expedition than they find the rules changing and the sad little village getting more and more disturbing. Money is withheld, sickness is contracted, murders are committed. Before long, Sarah is pathetically turning to prostitution to earn a little cash -- or even to get back the money that was stolen from her.

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The King Is Alive Review


OK
The premise is irresistible, combining dark humor with existential crisis. A busload of travelers gets lost in the Namibian desert, hundreds of miles from anywhere. After predicting this merry band of survivors will soon be killing each other over a sip of water, one member of the party suggests they stage an amateur performance of William Shakespeare's King Lear. At first, it's simply an enjoyable way to fiddle away the endless hours. Before long, however, this cast of laymen discover meaning and dangerous irony in the text. "You don't have to worry," assures their resident Goneril (Janet McTeer): "Nobody falls in love. And everybody dies in the end."

Kristian Levring's The King is Alive operates on a conceptual, pseudo-intellectual level, perhaps a touch too orderly to convey true madness. As the players become embroiled in King Lear, jealous Catherine (Romane Bohringer) plots against young hipster Gina (Jennifer Jason Leigh), who won the much-envied role of Cordelia. Meanwhile, disgruntled housewife Liz (McTeer) seduces the exotic black bus driver (Vusi Kunene) before the very eyes of her passive husband (Bruce Davison). As the actor playing King Lear (Brion James) quickly falls to pieces from dysentery, the scholarly director (David Bradley) watches the proceedings with detached malice, chuckling, "Is man no more than this?" And whatever became of Aussie survivalist Jack (Miles Anderson), who took off into the desert to find help?

Continue reading: The King Is Alive Review

Waking The Dead Review


Essential
Keith Gordon is one of the best filmmakers we have working today, and he's been quietly building a strong body of work which merits attention. His cult classic anti-war film, A Midnight Clear and his tour de force adaptation of Kurt Vonnegut's Mother Night were two of the 15 or 20 best American films to come out in the 1990s. Gordon is particularly good at visualizing internal landscapes, particularly slow collapses into paralyzing madness and terrible guilt.

It's difficult to say whether or not Waking the Dead is his best film, since it's one of those movies which seeps into you as you view it, then stays with you in the days that follow. It's certainly his most challenging in terms of tone, structure, and theme, deliberately convoluted and fragmented, moving back and forth between two different, contrasting eras (the idealistic '70s and the aggressively opportunistic '80s) and the evolution of its deeply troubled central character, Fielding Pierce (Billy Crudup).

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Songcatcher Review


Very Good
Interesting counterpart to O Brother, Where Art Thou?, as Janet McTeer's stuffy professor visits her roots in Appalachia in the early 1900s. There she encounters not just the stereotypical moonshine stills, kissing cousins, and ignorant shut-ins, but she finds a deep history of impressive folk music that has been passed down amongst the locals. The movie becomes more than just a story about the music, of course, as McTeer's musicologist comes to understand and appreciate the locals' way of life... and maybe there'll be a little romance along the way?

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Tumbleweeds Review


Good

Mary Jo Walker is the kind of woman all too common on the American sociological landscape. Pushing 40 years old, her entire adult life has been spent rushing into and running away from abusive relationships. Brazen on the outside, insecure inside, she's never been without a man. The thought has never even occurred to her.

But it has occurred to Ava, her brassy 12-year-old daughter. After an ugly fight with her most recent husband, Southern-fried Mary Jo packs a suitcase, grabs Ava by arm and hauls butt for Missouri. "What are we gonna do there?" Ava smarts off. "Somebody else you want to marry?"

An obliging, but not easy, character drama about discovering self-esteem and independence, "Tumbleweeds" quickly gives the impression this shack-up-and-run lifestyle is habitual for this hereditary duo, played with remarkable, unfeigned angst, desperation, devotion, animosity and irony by Broadway transplants Janet McTeer and Kimberly J. Brown. They don't even own anything that can't fit in the back of Mary Jo's jalopy of a GTO.

Continue reading: Tumbleweeds Review

Waking The Dead Review


Good

An eerie, enigmatic, intellectual romantic tragedy about a rising politician haunted by memories of his murdered love, "Waking the Dead" touches a raw nerve with its remarkably visceral emotional intensity.

Absolutely gripping from its very first frame, the film begins in 1974 with a young Fielding Pierce (Billy Crudup) being torn apart from the inside out as he watches news coverage of a car-bombing that killed his peace activist girlfriend (Jennifer Connelly).

Although the movie has yet to reveal anything discernible about these two people, simply watching Crudup shake uncontrollably in an eruption of tears is enough to take hold of your empathy and ride it like a rodeo mustang through the heartbreak and borderline dementia that bedevil him throughout the story's decade span.

Continue reading: Waking The Dead Review

The King Is Alive Review


Good

Lost in the African desert after their bus breaks down far off the beaten path, a handful of European tourists try to maintain sanity and civility by distracting themselves with ad hoc rehearsals for a do-it-yourself "King Lear" production in "The King Is Alive."

What comes of the experience, however, is not a productive pulling together. Bouts of bitterness quickly arise between couples, base behavior surfaces among those who feel they have nothing to lose, and with the portent of possible death looming as large as the blistering desert sun, individuals turn inward to face their own demons. Sanity and civility hang on by a very thin thread.

Co-written and directed by Kristian Levring as his contribution to the Dogme95 collective -- a quartet of Dutch filmmakers experimenting with cinematic minimalism -- the film's vérité style of handheld cameras and natural light (per the Dogme rules) makes it pop with tension and raw emotion as the tourists unravel.

Continue reading: The King Is Alive Review

Janet Mcteer

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Janet McTeer Movies

Me Before You Movie Review

Me Before You Movie Review

With a story that links together every cliche from the weepy chick-flick library, this movie...

Me Before You Trailer

Me Before You Trailer

Up until his recent accident that left him almost entirely paralysed, William Traynor has had...

The White Queen Trailer

The White Queen Trailer

The 'sword and shield' television hype continues to grow as The White Queen celebrates its...

Albert Nobbs Movie Review

Albert Nobbs Movie Review

Based on a true story, this introspective film seems to suggest that these events aren't...

The Woman in Black Movie Review

The Woman in Black Movie Review

Based on both the Susan Hill novel and the hit stage play, this creepy ghost...

Albert Nobbs Trailer

Albert Nobbs Trailer

Ever since the age of fifteen, Albert Nobbs has worked and lived in hotels. Thirty...

The Woman In Black Trailer

The Woman In Black Trailer

Arthur Kipps is a young yet successful lawyer who loves his work. One day, he...

The Woman in Black Trailer

The Woman in Black Trailer

Arthur Kipps is a lawyer whose work takes him to tend to the affairs of...

Island Movie Review

Island Movie Review

Dark and atmospheric, this film is worth seeing just for the way it continually pushes...

Cat Run Trailer

Cat Run Trailer

Anthony and Julian are childhood best friends who set up a detective agency, Anthony always...

Tideland Movie Review

Tideland Movie Review

It's not that there's necessarily anything wrong with a film that uses the dead gas...

Tumbleweeds Movie Review

Tumbleweeds Movie Review

Mother and daughter pack up from hillbilly land and head for California: Does it sound...

The Intended Movie Review

The Intended Movie Review

Who knew that in 1920s England, people would have thought that moving to Malaysia to...

The King Is Alive Movie Review

The King Is Alive Movie Review

The premise is irresistible, combining dark humor with existential crisis. A busload of travelers...

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