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BAFTA Los Angeles Awards Season Tea Party

Janet McTeer and Joe Coleman - BAFTA Los Angeles Awards Season Tea Party At Four Seasons Hotel - Los Angeles, California, United States - Saturday 11th January 2014

Janet McTeer
Janet McTeer
Janet McTeer and Joe Coleman

BAFTA 2014 Awards Season Tea Party

Janet McTeer and Joe Coleman - BAFTA 2014 Awards Season Tea Party held at the Four Seasons Hotel in Beverly Hills, California 11-1-2014 - Los Angeles, California, United States - Sunday 12th January 2014

Janet McTeer and Joe Coleman
Janet McTeer and Joe Coleman

The White Queen Trailer

The 'sword and shield' television hype continues to grow as The White Queen celebrates its release on DVD and Blu-Ray on the 19th August 2013. 

The melodramatic television Drama based on the compelling, brutal and turbulent best-selling history novel The Cousins' War by Philippa Gregory portrays the perceptions of three passionate and equally ruthless women: Elizabeth Woodville, Margaret Beaufort and Anne Neville in their quest for power.

Set in the middle of the 15th Century, England is divided by war as The House of York and the House of Lancaster fiercely fight it out their dispute to who is the rightful king. After much dispute The House of York's young and handsome Edward is mischievously made King by Lord Warwick. All is well until Edward falls in love with Lancastrian Commoner Elizabeth Woodville, ruining Warwick's plan to control the throne. From here on it Elizabeth is put in a violent struggle where she must fight for her life and the crown to the throne. The story unravels and exposes a possible view one of the most interesting stories in British History.

'Cat On A Hot Tin Roof' arrivals

Joe Coleman and Janet McTeer - 'Cat On A Hot Tin Roof' arrivals New York City NY USA Thursday 17th January 2013

Albert Nobbs Review

Based on a true story, this introspective film seems to suggest that these events aren't perhaps as extraordinary as they appear. But the strong premise is weakened by writing and direction that never get a grip on the story.

In 1898, Albert (Close) works at an upscale Dublin hotel, and no one suspects that he's actually a woman. Quietly going about his work while saving to open a tobacco shop, Albert is unassuming and relentlessly polite. Then he's asked to share his room with visiting painter Hubert (McTeer), who learns his secret and reveals one of his own: he's a woman too. But Hubert has managed to have a normal married life. This inspires Albert to pursue the hotel maid Helen (Wasikowska), which is complicated by her lusty relationship with handyman Joe (Johnson).

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Picture - Janet McTeer , Wednesday 25th April 2012

Janet McTeer Wednesday 25th April 2012 Opening night of the MTC production of 'The Columnist' at the Friedman Theatre - Arrivals.

Picture - Glenn Close and Janet McTeer , Wednesday 25th April 2012

Glenn Close and Janet McTeer - Glenn Close and Janet McTeer Wednesday 25th April 2012 Opening night of the MTC production of 'The Columnist' at the Friedman Theatre - Arrivals.

Glenn Close and Janet McTeer

The Woman in Black Review

Based on both the Susan Hill novel and the hit stage play, this creepy ghost story is nicely translated to the screen with a growing sense of menace that keeps us constantly on edge. It's the especially strong directing and writing that bring it to life, as it were.

In early 1900s London, single dad Arthur (Radcliffe) is a young lawyer in trouble with his boss (Allam), so his next case is make-or-break. To settle an estate, he heads to an isolated Northeast village that gives him a cold-shouldered welcome. And when he gets to the abandoned seaside mansion, he sees the spectre of a woman (White) lurking in the corners. A friendly local (Hinds) is cynical about this, even though it also haunts his wife (McTeer), who is grieving over their son's death. And dying children are a theme in this village.

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Albert Nobbs Trailer

Ever since the age of fifteen, Albert Nobbs has worked and lived in hotels. Thirty years later, he is a dedicated servant at Morrison's Hotel. He goes out of his way to make the guests feel at home and is generally well-liked.

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The Woman In Black Trailer

Arthur Kipps is a young yet successful lawyer who loves his work. One day, he is asked to travel to a small, remote village to sort out the affairs of a recently deceased client. However, it does mean leaving his young son behind. Arthur is reluctant to leave his son but he does so anyway.

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The Woman in Black Trailer

Arthur Kipps is a lawyer whose work takes him to tend to the affairs of the recently deceased owner of Eel Marsh house, a building the village residents try to avoid. Leaving his infant son behind, he sets off through the snow on his horse and cart, unaware of the terror he's abnout to face.

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Island Review

Dark and atmospheric, this film is worth seeing just for the way it continually pushes us around emotionally. Although the plot never quite comes into clear focus, and it refuses to let us engage with the characters.

While working on a human geography project as part of her studies, Nikki (Press) travels to an isolated Scottish island and presents herself as a prospective tenant at isolated house owned by her birth mother Phyllis (McTeer), who doesn't recognise her. As she plots her revenge against the woman who abandoned her, she's surprised to discover that she has a brother, Calum (Morgan). But her continual questions about their husband-father are blanked, and life on the island becomes increasingly intriguing as she seeks answers about her past.

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Cat Run Trailer

Anthony and Julian are childhood best friends who set up a detective agency, Anthony always wanted to be a chef and Julian's never really had any dreams unless they involve women so logically they thought going into business together would be a good idea.

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Tideland Review

It's not that there's necessarily anything wrong with a film that uses the dead gas escaping from a putrefying corpse for comic effect by making it sound like flatulence. There's nothing that says a film can't find the humor or humanity in a mentally damaged, possibly homicidal man befriending a lonely pre-teen girl of dubious sanity with whom he seems to have less-than-honorable intentions. And there's nothing wrong with having squirrels or severed dolls-heads speak to that same girl in lieu of human companionship. In short, it's not the dark subject matter of Terry Gilliam's Tideland that makes it so squirmingly unwatchable, it's his callous, giggly, and monstrously tone-deaf approach.Based on the novel by Mitch Cullen, Gilliam's film is a trippy fantasia that has the feeling of a Neil Gaiman pastiche of a junkie version of Alice in Wonderland as interpreted by Asia Argento and JT LeRoy -- only worse. The rather brilliantly naturalistic Jodelle Ferland wastes her talent playing Jeliza-Rose, a young girl of uncommonly optimistic outlook whose no-good parents (Jennifer Tilly and Jeff Bridges) are squabbling junkies who barely pay attention to her unless it's to help them shoot up. Not long into the film, Tilly fatally overdoses, sending Jeliza-Rose and her dad, Noah, on the road, as Noah is convinced in his heroin haze that the authorities will be after him. They end up at his old family farmhouse, boarded up and filled with the dusty memories of his long-dead mother. Then Noah ODs, too, leaving Jeliza-Rose on her own.She doesn't seem to mind, really, as it takes her awhile to even realize Noah is dead (in the meantime, she dresses his corpse in a wig and makeup). The world through Jeliza-Rose's eyes seems a pretty wonderful place, which she fills with imaginary voices and fantastical creations. The house itself is full of undiscovered treasure and surrounded by tall, wind-blown prairie grass. Meanwhile, just down the road is another house where a crazy woman in a black beekeepers' outfit (Janet McTeer) and her younger brother (Brendan Fletcher), the previously mentioned potential psychopath who initially comes off as an innocent but seems later to take a liking to Jeliza-Rose.Tideland is obviously a story packed full of material that's best handled delicately, what with the overall fog of insanity and the intimations of pedophilia. The problem here is that "delicate" is not a word one would ever use to describe Gilliam. A filmmaker with obvious and commendable visual talents (strangely in abeyance here), his storytelling taste has always vacillated between the sarcastic and the sentimental, with Tideland being a stomach-churning slurry of the two. In a story that calls for a light hand, Gilliam uses only the hammer, smacking home each and every scene with acting best described (with the exception of Ferland) as hysterical and a sense of humor that goes beyond the merely tasteless and verges on the deranged.There's always the chance that the whole film is a great put-on, a low-budget joke of the most gigantic order -- it does literally end, after all, with a train-wreck. Anything is possible. But that may not matter in the end, because if there was ever a film to end a career, Tideland is it.The tide is high and I'm movin' on.
Janet Mcteer

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