Janet Healy

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Minions Review


Utterly charming, this silly prequel rewrites the origin story of the minions and sends them on a series of adventures that are gently anarchic and refreshingly low-key for an animated blockbuster. The film has an unusually gentle tone, with some real visual artistry to it rather than the cookie-cutter story structure and imagery in most summer movies. And while it's not riotously funny, children will be mesmerised and adults will be smiling.

It opens at the dawn of time, as minions evolve into yellow pill-shaped sidekicks who serve their evil masters throughout history. When they find themselves without a leader, they try to build a society in an arctic cave, but something just isn't right. So Kevin, Stuart and Bob (voiced in Esperanto-style gibberish by director Pierre Coffin) head off to 1968 New York to find a villain to work for. There they hear about ruthless baddie Scarlet Overkill (Sandra Bullock), so they head to Villain-Con in Orlando to meet her. She's impressed by their loyalty and takes them to London to work with her inventor husband Herb (Jon Hamm) on a nefarious plan to steal the British crown from the Queen (Jennifer Saunders). But nothing goes quite as planned.

Since it's set in the 1960s, the filmmakers give the film a groovy vibe, with sun-drenched animation and hilariously colourful details in every scene. Adults are more likely to catch references to things like the Monkees, Hair or Bewitched, but kids will enjoy the general silliness, including lots of chances to sing along with the minions as they babble through classic tunes. Thankfully, directors Coffin and Kyle Balda resist temptation to use the standard animation formula, opting instead for a meandering pace, a less pushy moral message and action scenes that emerge from the plot, settings and characters. And the starry voice cast refreshingly disappears into the characters.

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The 19th Annual Critics' Choice Awards

Janet Healy, Pharrell Williams and Christopher Meledandri - The 19th Annual Critics' Choice Awards at The Barker Hangar - Santa Monica, California, United States - Thursday 16th January 2014

Janet Healy, Pharrell Williams and Christopher Meledandri

BAFTA 2014 Awards Season Tea Party

Janet Healy and Christopher Meledandri - BAFTA 2014 Awards Season Tea Party held at the Four Seasons Hotel in Beverly Hills, California 11-1-2014 - Los Angeles, California, United States - Sunday 12th January 2014

Despicable Me 2 Review


With the same teams of writers and directors, this sequel sticks closely to the winning formula of the 2010 original: pile on so much snappy humour and colourful wackiness that no one will worry about the plot. So the film is sweetly engaging and relentlessly hilarious, but there's nothing particularly inventive or memorable about it.

After discovering his less villainous side, Gru (Carell) is now trying to go legit with his sidekick Dr Nefario (Brand) and their horde of mischievous yellow minions. Gru is also enjoying the challenges of being a father to his lively adopted daughters Margo, Agnes and Edith (Cosgrove, Fisher and Gaier). Then he meets the undercover spy Lucy (Wiig) and her boss Silas (Coogan), who ask for his help hunting down the bad guy who stole a secret government chemical. Gru reluctantly takes the job, and his suspicion falls on Eduardo (Bratt), not because he looks just like former fellow villain El Macho, but because Margo is in love with his surly teen son (Arias).

As before, the film mixes cute family sentimentality with wacky cartoon slapstick in which everyone gets smashed, pounded and blown up but emerges unscathed to face the next bit of outrageous mayhem. The violent undercurrents are sometimes a little disturbing, especially when children are talking about murder, but the movie's wildly ridiculous tone constantly reminds us to stop taking anything seriously. Thankfully, we're constantly distracted by the whizzy, action-packed animation, which makes especially witty use of the 3D.

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"Despicable Me 2" - Los Angeles Premiere

Janet Healy - Premiere of Universal Pictures' 'Despicable Me 2' at the Gibson Amphitheatre - Universal City, California, United States - Saturday 22nd June 2013

Janet Healy

Dr. Seuss' The Lorax Review

Dr Seuss' eco-fable is transformed into a raucous adventure comedy in this colourful animated feature. And it's a little embarrassing really. Not only has the story been padded out with lame jokes and unnecessary side plots, but the film's pacing is all over the place, leaving both kids and their parents bored.

In the all-fake town of Thnead-ville, presided over by a greedy corporate-boss mayor (Riggle) who sells breathable air in bottles, nerdy pre-teen Ted (Efron) is trying to impress a girl (Swift). So with the encouragement of his grandmother (White), he sneaks beyond the town's walls to find an extinct real tree. There the outcast Once-ler (Helms) tells him the story of the Lorax (DeVito), an orange fur-ball who speaks for the trees and finally gave up hope.

Unless there's a change of heart and people recognise that they need the trees after all.

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Despicable Me Review

This bright and silly animated comedy is a remarkably effective combination of deranged humour, nutty slapstick and cute sentimentality. And while there's nothing particularly original, it's hard to imagine anyone not enjoying it.

Gru (voiced by Carell) is a supervillain who has never quite made it. Despite a series of impressive gadgets created with the help of his sidekick Dr Nefario (Brand), he's never managed that one big stunt that would make his name. This is something his mother (Andrews) constantly reminds him. So when young upstart villain Vector (Segel) steals a pyramid, Gru decides to go for his big dream: kidnapping the moon. But his first step involves adopting three orphan girls (Cosgrove, Gaier and Fisher), and they turn out to be rather distracting.

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Shark Tale Review

It would be really interesting to see what an R-rated version of Shark Tale might encompass. All the mafia-related gags might hold more punch. The subplot, involving one shark's disappointment in his son, might reveal what a PG version can only hint at. As it is, though, we're left with a kids' film that, while consistently funny, is more cute than clever.

The story begins when Oscar (Will Smith), a working-class fish with fame and fortune on the brain, runs afoul of his boss, Sykes (Martin Scorsese), a puffer fish with the largest eyebrows known to aquaria. Deep in debt, Oscar is taken out to pasture by Sykes' Jamaican jellyfish goons (a hilarious Ziggy Marley & Doug E. Doug). Enter Lenny (Jack Black), a shy shark out on a mission to be toughened up by his brother Frankie (Michael Imperioli) on behalf of his shark mob boss dad, Don Lino (Robert De Niro). One thing leads to another, and suddenly it appears as if Oscar has slain Frankie.

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Janet Healy

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