Janeane Garofalo and Lisa Edelstein - Photo's from the launch party for BRAVO'S first scripted series 'Girlfriends' Guide to Divorce' The party was held at the Crosby Hotel in New York City, New York, United States - Thursday 20th November 2014
Sometimes a marriage can feel so bad as to feel like you’re not even in one anymore. And sometimes they feel like that because you’d completely forgotten you’d got married in the first place. Sound impossible? Actress Janeane Garofalo and writer and The Big Bang Theory producer Rob Cohen managed to do just that, after it was revealed that Cohen’s plans for a new matrimony couldn’t go through until his current one had ended.
What current one though? According to the New York Post the pair did in fact get hitched 20 years ago in – where else – that most romantic of environments, Las Vegas. After a skin full, and then presumably another skin full as well, Garofalo and Cohen – who were dating at the time – decided to go down the aisle at Vegas. “Rob and I got married, for real, which we had to have a notary dissolve not 30 minutes before we got here tonight,” Garofalo said as she turned up for a reunion for The Ben Stiller Show. “We were married for 20 years until this evening.”
She added, “We got married drunk in Vegas . . . We dated for a year, and we got married at a drive-through chapel in a cab. [We thought] you have to go down to the courthouse and sign papers and stuff, so who knew? We were married, and apparently now that [Rob] is getting married for real, his lawyer dug up something.” Though their marriage has been referenced in the past, it’s long been considered a joke between the two still-close friends, and not a real … y’know… thing. Think again.
Continue reading: Janeane Garofalo Married Big Bang Producer, But Forgot All About It
Ratatouille is an intricate dish, infused with energetic and amusing storylines that are all fully cooked and complementary to the film's rich visual look. It's easily the best Pixar creation next to The Incredibles; arguably it's even better. No surprise that Ratatouille is written and directed by Brad Bird, the same mastermind behind The Incredibles. Bird excels at integrating thematic elements that will entertain the youngest and oldest members of the audience alike.
Continue reading: Ratatouille Review
The show is pure genius and pure simplicity: Larry Sanders (Garry Shandling) is a late night talk show host on an unspecified network in the post-Carson era. Each week we were treated to the behind-the-scenes antics that go on before such a show can get on the air five nights a week: At its slapstick simplest we have Carol Burnett fleeing spiders by climbing on Larry's back. At its smarmy sickest, we have Larry's agent (Bob Odenkirk) selling him down the river so he can move on to greener pastures: Namely one Jon Stewart, a guest host for the show who became a running theme in later years as a cheap, network-approved replacement for the skewing-too-old Larry.
Continue reading: The Larry Sanders Show: Not Just The Best Of... Review
On July 1 of that year, four people were savagely beaten to death in a Laurel Canyon apartment that had long been a party hangout and drug-dealing haven; a fifth person was put into intensive care. Holmes (Val Kilmer) was at the center of the tangle of paranoia, greed, and confusion that led to the massacre. Always hanging out at the apartment scamming drugs for his vacuum-like habit, Holmes incurs the enmity of the hard cases living there (played by Tim Blake Nelson, Dylan McDermott in a frighteningly unconvincing biker beard, and Josh Lucas). To make it up to them, Holmes acts as their inside man for a robbery of the palatial home of his buddy Eddie Nash (Eric Bogosian), who just happens to be one of the biggest club-owners in Southern California and a bona-fide gangster, to boot. Things go poorly after the robbery, to say the least.
Continue reading: Wonderland (2003) Review
But forget about September 11th for a moment and consider this: Is there ever a good time to release a film that endorses bribing airline personal for tickets to carry a suitcase containing a ticking nuclear bomb onto a plane? The answer is easy. Pre- or post-September 11th, there is no appropriate time for a comedy this poorly conceived. Big Trouble is irresponsible filmmaking; it doesn't even justify the space for an explanation. But since reviews are my business, let me try to sort out this movie's mess.
Continue reading: Big Trouble Review
The plot is so simple as to defy description: A lot of New York cops live across the water in Jersey, and it turns out they are all beholden to the mob. It's up to fat, half-deaf Sheriff Freddy (Sly) to expose this atrocity!!! Would that there were more to say, Cop Land builds its "mystery" by simply not telling you what's going on. Only after an hour or so do you piece together the whole mob angle, and then the audience realizes, "Hey, there's nothing happening here!" Note to Mangold: Watch L.A. Confidential a few times if you want to see how clever plot structure goes, not to mention throwing in a little wit here and there.
Continue reading: Cop Land Review
Remember that great Z-grade 1969 protest picture "Brothers Divided," about the conjoined twins drafted to serve in Vietnam?
No? How about the blaxploitation classics "Venus De Mofo" and "The Foxy Chocolate Robot?" Or the tree-hugging girlie biker flick "The Eco-Angels"? Or the midget Gidget movie "Teenie Weenie Bikini Beach"?
Those don't ring a bell? Surely you've seen at least one of the 427 movies directed by schlock filmmaker Morty Fineman over the last 38 years, right?
Continue reading: The Independent Review
Save its ambitious, eye-popping computer-generated space battle effects, 20th Century Fox's second run at Disney's animation crown is little more than another threadbare cartoon orphan story ("Dinosaur," "Anastasia," "The Lion King," etc.) dressed up in wannabe-anime style and targeted at 11-year-old boys with a toy-friendly, sci-fi storyline and a bad, bad, bad guitar rock soundtrack.
Taking place in a distant future when the Earth has been destroyed and the remnants of mankind are adrift in the galaxy, "Titan AE" follows handsome, cocky, cusp-of-manhood Cale (voice of Matt Damon), the son of a valiant military martyr in our planet's brief defense against a race of energy beings called the Drej.
The Drej blew up Earth with their giant crystalline space ship in an expensive-looking CGI sequence when Cale was just a boy, and now they're hunting what's left of humanity as we flee through the stars. What, exactly, the Drej have against us, the movie doesn't bother to explain. The fact that they look like a lava lamp versions the Terminator's skeleton signals they're bad news, so who needs to bother with, you know, motive?
Continue reading: Titan Ae Review
Thanks to all the is-it-or-isn't-it-blasphemy controversy surrounding "Dogma," writer-director Kevin Smith has added a tongue-in-cheek disclaimer to the opening of this renegade ribbing of the Catholic church that is so amusing ("...God has a sense of humor, just look at the platypus") it will have audiences in stitches even before the first line of dialogue.
Whether or not you'll think the movie stays this funny will depend on how sensitive you are about your position on the religious yardstick, your threshold for soapbox pontification and what it takes to gross you out.
Smith, the maverick Generation X satirist responsible for ragtag underground hits "Clerks" and "Chasing Amy," makes no bones about testing the limits of irreverence and good taste in this ironically snappy and smart-mouthed theological deliberation.
Continue reading: Dogma Review
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