Jane Withers

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The Debbie Reynolds Hollywood Memorabilia Collection Auction Preview at Paley Center - Arrivals

Jane Withers Tuesday 7th June 2011 The Debbie Reynolds Hollywood Memorabilia Collection Auction Preview at Paley Center - Arrivals Los Angeles, California

Jane Withers

at the opening of 'Ethel Merman's Broadway' at El Portal Theater

Jane Withers and Ethel Merman Thursday 17th February 2011 at the opening of 'Ethel Merman's Broadway' at El Portal Theater Hollywood, California, USA

The Hunchback of Notre Dame II Review


Terrible
Our pal Quasimodo finds love of his own in this abortive and unbearably lazy sequel to Disney's moderate success, The Hunchback of Notre Dame.

Unlike mostly no-name productions like The Return of Jafar, the entire original cast is back in this sequel (with the exception of Mary Wickes, who died before the original Hunchback was ever released), and how Disney convinced them to take part is beyond me. (Iron-clad contract or the promise that, after all, this will barely take an hour of their time?)

Continue reading: The Hunchback of Notre Dame II Review

The Hunchback of Notre Dame II Review


Terrible
Our pal Quasimodo finds love of his own in this abortive and unbearably lazy sequel to Disney's moderate success, The Hunchback of Notre Dame.

Unlike mostly no-name productions like The Return of Jafar, the entire original cast is back in this sequel (with the exception of Mary Wickes, who died before the original Hunchback was ever released), and how Disney convinced them to take part is beyond me. (Iron-clad contract or the promise that, after all, this will barely take an hour of their time?)

Continue reading: The Hunchback of Notre Dame II Review

Giant Review


Good
A more apt title you won't find for a movie, as Giant's sprawling epic covers some 30 years in the life of a Texas cattle baron (Hudson), his wife (Taylor), and the upstart kid who becomes rich by discovering oil on his small plot of land (Dean). Compelling in a Gone With the Wind style, yet far too long at almost 4 hours, Giant could have stood for some quite obvious cutting. How many Christmas carols, square dances, and Texas cowboy shanties can one man take?

Regardless, James Dean (in one of only three roles on film) makes quite an impression, and Taylor reminds us why we ever liked her to begin with. The cinematography is equally Giant as well -- showing off the dusty nothing of central Texas, long low plains with brush and low hills in the distant background. George Stevens (Shane) has always had a knack for landscapes, and he's at the top of his game here. On the new DVD (two restored discs, one of which is double-sided), Stevens' son asks us to reconsider the film and enjoy it one again, 45 years after the making. In a commentary track with critic Stephen Farmber and writer Ivan Moffat, he reflects on his departed father and the trio reflect on Giant's legacy. That second disc has all the usual retrospectives and testimonials we've come to expect.

Continue reading: Giant Review

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