At birth, the young Ella (Anne Hathaway) is cursed with a spell that destines her to be obedient. At the drop of a command, she is forced to stop what she is doing and obey orders. Growing up, Ella's curse brings its share of problems, but when an older Ella gains a new stepmother (Joanna Lumley) and two stepsisters, they use Ella's curse to get what they want. They instruct Ella to steal from the local market, hand over her mother's precious locket, and terminate her friendship with an old friend. The stepsisters also have their sights on the soon-to-be-king Prince Charmont (Hugh Dancy), but he fancies Ella. Charmont's uncle, Prince Regent Edgar (Cary Elwes), secretly covets the throne so he can continue the strict governance established by Charmont's father.
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Why anyone would bury a dead carcass in their front lawn is beyond me, but even more absurd is the dark nature of Tuck Everlasting, a bleak story of life and death (based on a "classic" children's novel I've never heard of). Most people wouldn't associate death with Walt Disney Pictures, but its latest flick deals with that issue and worse, revealing subplots of murder, deceit, execution, and the final moments of a human's life. It's hard to believe the creators of Mickey Mouse could construct such a story.
Continue reading: Tuck Everlasting Review
Corgan took to Instagram to confirm rumours of new Pumpkins material, saying the first songs could arrive as early as May.