Do you have an hour and a half and a penchant for live comedy?
Ever wanted to know exactly how Saturday Night Live is made, down to the nuts and bolts? Well, Live for New York is... probably not your thing. Directed by Pao Nguyen, the documentary is an 81-minute long look at the 40-year history of the sketch show.
The documentary was directed by Bao Nguyen.
The film begins... well, at the beginning. It introduces the first, original cast of the show, introduced through archival footage of a Tom Snyder interview. It follows up with more archive footage of the most beloved "SNL" skits and characters plus recent chats with such alumni as Chevy Chase, Jane Curtin, Laraine Newman, Garrett Morris and Will Ferrell as well as with the show's architect and driving force, Lorne Michaels.
Miss Congeniality shows up The Other Guys in this riotously funny buddy-cop comedy, which overcomes its silly script with the ingenious pairing of Sandra Bullock and Melissa McCarthy. The plot is essentially a flimsy framework on which to hang a series of nutty set pieces, but they're so hilarious that we don't mind at all.
Bullock plays Ashburn, an FBI agent who endangers her upcoming promotion by being too obsessively efficient and showing up the boys. Her boss (Bichir) thinks she could use some new scenery, so sends her to Boston to find a drug kingpin. But she quickly encroaches on the turf of local detective Mullins (McCarthy), whose outside-the-box methods have deeply intimidated her frazzled chief (Wilson). As they investigate the same case, Ashburn and Mullins clash badly before they realise that they really should be working together. But neither is willing to relinquish even a tiny bit of control.
It's hard to remember the last time two over-40 actresses were allowed to play such lively characters. Bullock and McCarthy have a fantastic snap of chemistry on-screen, as they improvise much of their hysterical interaction. This is a terrific combination of Bullock's fearless slapstick physicality and McCarthy's stinging humour. They're a lot funnier when they're at each others' throats than when they're working together, although even then they use deadpan humour to play on their differences. And in another clever flip of the genre, the male actors all have thankless roles around the edges of the story.
Continue reading: The Heat Review
'The Heat' is released in US cinemas today (28th June) but critical reviews have been less than warm to this comedy starring Sandra Bullock and Melissa McCarthy as two law enforcement officers thrown together.
Sandra Bullock plays Sarah Ashburn, an FBI agent incapable of having fun (sounds familiar?), who is paired up with rotund police officer Shannon Mullins, played by Melissa McCarthy (again –does this remind you of everything?)
In fact, throw in a camp Michael Caine and an awkward ginger haired English actor and voilà! You have a bizarre combination of Miss Congeniality and Hot Fuzz.
In Boston, Kate (Parker) has a loving husband, Richard (Kinnear), and two adorable children. Everyone watches her in wonder as she juggles her responsibilities as a wife, mother and high-powered investment banker. But the constant business trips are taking their toll, especially when she's required to work regularly in New York with investor Jack (Brosnan). It's a struggle, but Kate keeps everything running. The question is whether anyone is actually happy with the situation.
Continue reading: I Don't Know How She Does It Review
Jane Curtin Friday 14th September 2007 National Museum of Women in the Arts honors five women at 'Legacies of Women in the Performing Arts' at the Enrique V. Iglesias Conference Center Auditorium Washington DC, USA
Now, with Pixar and DreamWorks making family films kids and parents cherish for different reasons -- The Incredibles being a prime example -- Disney would have been smart to stick to the formula that earned Freaky Friday over $110 million at the box office and critical kudos. It doesn't seem that difficult.
Continue reading: The Shaggy Dog Review
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Our all-time favourite Prodigy songs from their entire back catalogue.
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There are plenty of skilled people behind this female-empowerment movie, but the film badly botches...
In the summer of 2003, Disney scored with its update of Freaky Friday, employing the...