Urban sophisticates may relate to the plight of Stuart (Justin Kirk) and Nicole (Julianne Nicholson). Set up by friends, the two feel an instant electric attraction. Stuart promotes Broadway shows for a living, while Nicole aspires to become a small-scale caterer. Since he's the better off of the two, it isn't long before she moves into his high-rise pad and gladly accepts his offer to pay off her student loans. Their first months together are a giddy dance of (full-frontal) sex and mutual admiration.
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Gil Bellows headlines as David Dailey, a local Louisville talk radio jock who, we soon find out, is involved in a loveless marriage. Turns out his wife is carrying on a lesbian affair, which is messing with David's rep in town. Meanwhile, young Melody (the always radiant and underexposed Jennifer Westfeldt) isn't quite in love with her boyfriend, but he keeps pushing for fancy trips and even marriage. Soon, David starts getting cryptic cut-out-of-magazine notes and Melody spies a towncar with tinted windows always keeping watch over her. Could these two events be related? Well, never mind that David and Melody meet when he runs her over with his car, the answer is a qualified maybe.
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Ambrose's character, Frankie, dresses and acts like a woman who's entrenched in middle age without any hope of escaping. She runs the family restaurant with her older brother, Nick (Josh Pais), and she shares their parents' old house with Nick's wife and kids. Frankie's best friend, Nicola (Jennifer Dundas Lowe), apparently keeps her around so she can look more vivacious by comparison.
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After botching his suicide, the titular Henry Hill (Jamie Harrold, seen as a bit player in movies from Erin Brockovich to The Sum of All Fears) leaves New York City to live with his folks at their trashy, rural diner/gas station. Why so glum? His stage fright is so bad he just isn't going to make it as a professional concert violinist.
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Hallelujah. The Score is the heist film I've wanted to see for a long time. Not since James Caan burned that safe open in 1981's Thief has a safecracking been so tense and meticulously designed. And with the triple threat of Ed Norton, Robert De Niro, and -- God bless him -- Marlon Brando, The Score is in some excellent hands.
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Jennifer B. Katz's lighthearted fable about love and bankruptcy is amusing and lightly entertaining, though its heroine Watson (Wendy Hoopes, best known as the voice of Jane and Quinn on MTV's Daria) isn't entirely sympathetic.
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Sporting a back-combed, two-tone mane, spike-heeled Candies and the wardrobe of a trailer park tart, Julia Roberts has somehow never been more appealing and charismatic than she is as "Erin Brockovich."
The heroine of inventive auteur Stephen Soderbergh's latest Hollywood-deconstructing dynamo, Brockovich is real-life law office file clerk who in 1993 rallied a small desert town against the Goliath public utility that had for decades knowingly poisoned its water supply.
Brazen, tactless and utterly magnetic in Roberts' increasingly talented hands, this struggling single mom is short on job skills and long on lip. She starts the movie in the middle of a frustrating job hunt in which she keeps giving interviewers a piece of her mind.
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Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.
Sheesh. If this is what marriage is like then I'll just stay single. Flannel Pajamas...
Sporting a back-combed, two-tone mane, spike-heeled Candies and the wardrobe of a trailer park tart,...