The low-budget horror sequel has flopped on its first weekend in cinemas, following terrible reviews.
On a typically quiet late-summer weekend dominated by holdovers, Sinister 2 has dragged itself to third place with a disappointing $10.6million opening in America.
Sinister 2, starring James Ransone, has flopped
Expected to earn between $15-18million, the Blumhouse horror sequel debuted well below all three Insidious films, as well as the first Sinister movie, which took $18m on the weekend of October 12-14, 2012.
Continue reading: Sinister 2 Dead On Arrival At Box Office
What was it about Sinister that needed to be explored?
When the horror thriller Sinister proved to be a hit, producer Jason Blum (who is also behind the Insidious films) obviously thought a sequel was needed. "I really think the key to making a good sequel is to get the people who were involved in the original," he says, explaining his decision to go back to original screenwriters Scott Derrickson and C. Robert Cargill. "If there's any theme of Sinister, to me it's taking a common crisis and escalating the crisis by putting it in a supernatural circumstance."
The children go all out to spook the grown-ups in Sinister II
Cargill adds that "everyone has a very different idea of what a Sinister movie is," says Cargill. "Is it the kill films? Is it Bughuul? Is it the kids?" As he and Derrickson pondered this, the one thing they agreed on was the need to bring back the hapless deputy played by James Ransone.
As the ghoul from the 2012 horror hit stalks a new family, this sequel's sharply well-crafted set-up leaves the hackneyed conclusion feeling very disappointing. Up until the trite horror finale, the film is a terrific mix of complex characters and twisted relationships, with a palpable sense of underlying menace. But instead of grappling with the ramifications of the human drama, the screenwriters opt for simplistic violence instead.
The dorky deputy (James Ransone) from the first film has left the force but is still determined to stop the horror from happening again. Then he arrives at the "infected" farmhouse and finds single mother Courtney (Shannyn Sossamon) hiding out there with her feuding pre-teen sons Dylan and Zach (played by real-life siblings Robert Daniel and Dartanian Sloan). And her abusive husband Clint (Lea Coco) wants custody. But the boys have already been contacted by the creepy gang of ghost kids who have horrifically murdered their families and documented this in home movies that they show to Dylan each night. To appease the boogeyman, Dylan needs to do the same, and if he can't, they might be able to use Zach.
Frankly, Clint is a much scarier monster than the sinister spirit lurking in seemingly every dark corner in this movie. And Zach has learned from his dad how to be a seriously cruel bully. Director Ciaran Foy generates intensity in both the real-world and supernatural elements of this story, inventively creating visually stylish freak-out moments that have genuine peril attached. In this situation, the actors create strikingly authentic characters, from Ransone's likeably goofy deputy to Sossamon's steely, tenacious mother hen. And the Sloan brothers add a superb sense of sibling tension, mingling anger and frustration with real emotion. So when things begin to snap between all of them, the film becomes genuinely heart-stopping. Then the ghosts take over and it's not quite so thrilling.
Continue reading: Sinister 2 Review
Courtney Collins and her twin sons Dylan and Zach have moved into a large country house ready for a fresh start, unwittingly facing what could be their end. The house is host to a demonic force; it's a site where several whole families have been brutally murdered by their possessed children, before said children go missing. The face behind the horror is the soul-eating pagan deity Bughuul, who first begins to prey on the children as they sleepwalk. Meanwhile, the town's former deputy James Ransone is concerned for the new family after the deaths of the Oswalts, recorded as the other murders had been on Super 8 reels, and seeks answers from a priest who ensures him that there is no way to ultimately stop the evil. He's determined to end this loop of horror, however, and takes it upon himself to warn the Collinses and defend them from the wrath of Bughuul.
Continue: Sinister II Trailer
T'was the night before Christmas, and a young transgender prostitute has just been released from prison. Sin-Dee Rella (Kitana Kiki Rodriguez) meets her best friend, Alexandra (Mya Taylor) at a donut shop, and the two get to talking. That is, until Alexandra let's slip that Chester (James Ransone), Sin-Dee's pimp and boyfriend, has been cheating on her. This isn't the sort of thing that Sin-Dee is going to live with, and she begins a rampage through the town to find Chester, and the "fish" that he's begun a relationship with. And she's only been out of prison for a day.
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In a dark and corrupt world, the rich and powerful are the bad guys, while those who strive to bring them down are destined to fail. With sin and vice running wild, the dirty police force are pushed into a war with the criminals they have spent so long supporting. Cymbeline (Ed Harris) is a powerful drug lord that one day decides he no longer wants to pay the police for their protection, pushing both sides to put their financial goals aside and embark in a bitter and desperate battle to rid the world of one-another.
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Moviegoers who know nothing about the iconic 2003 Korean thriller will perhaps enjoy this half-hearted remake. It lacks the subtlety and irony of Park Chan-wook's deranged masterpiece, but Spike Lee brings a certain technical sleekness that holds our interest. Especially as the complex plot begins to twist and turn, gleefully pulling the rug out from under us.
It centres on Joe (Brolin), a drunken loser who blows his last chance at his job by coming on to a client's wife. The next morning he wakes up in a sleazy hotel room that turns out to be a locked cell where he'll be held for the next 20 years. He's shown news updates on how he's the prime suspect in his wife's violent murder, and he watches his daughter grow up in an adoptive family's home. Suddenly focussed on revenge, he plots his escape and then is caught off guard when he's inexplicably released. With the help of his old friend Chucky (Imperioli) and helpful nurse Marie (Olsen), Joe tracks down his flamboyant jailer (Jackson) and then the creepy man (Copley) who paid the bills and now demands that Joe understands why he did it.
Yes, the plot is a big puzzle, and watching the various pieces fall into place keeps us riveted to the screen, even if nothing is particularly involving. Lee's mistake is to play everything dead straight, with only the odd hint of black humour or underlying madness. Instead, we get bigger action fight scenes (cool but choreographed) and a variety of surprises and revelations that often make us gasp. And all of this is played with razor-sharp intensity by Brolin, who gives us just enough emotion to keep us engaged with his journey.
Continue reading: Oldboy Review
When Joe Doucett suddenly wakes up one morning to find himself imprisoned in a cell with little more than a bed, a TV and a bible, his first thought is some sort of terrible nightmare. But things get worse when a news broadcast states that he is the prime suspect in the murder of his ex-wife and mother of his child Donna Hawthorne, and his daughter has been subsequently adopted. He spends his hours dwelling on Donna's death, working out, boxing, self-harming and talking to stray mice until one day, 20 years later, he finds himself climbing out of a trunk in a field very well-groomed and dressed smartly with a wad of cash in his jacket. He embarks on a mission to kill the man who took his liberty while falling in love with the beautiful Marie, who tries to help him re-build his life. However, he soon releases that he is less free than he thought as his captor continues to taunt him with questions of why he imprisoned him and why he let him go.
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Chris Bergoch; Julia Kim; actor James Ransone; Blake Ashman-Kipervaser and director Sean Baker 2013 Independent Spirit Brunch held at BOA Steakhouse in West Hollywood - Arrivals Featuring: Chris Bergoch, Julia Kim, actor James Ransone, Blake Ashman-Kipervaser and director Sean Baker Where: Beverly Hills, California, United States When: 12 Jan 2013
There's a nasty edge to this horror film that makes it much creepier than most, which gives Hawke the chance to give an unnervingly haunted performance. As the script reveals its hideous secrets, the filmmakers really make our skin crawl. Although it's not easy to figure out what the point is, since the whole film seems to be merely an exercise in scaring the audience.
It's all based in true crime, as author Ellison (Hawke) drags his wife Tracy (Rylance) and kids to a new town so he can investigate another unsolved murder. What he hasn't told Tracy is that they're living in the crime scene, an unusually dark house that has a box of home movies in the attic that reveal a much more gruesome horror than Ellison was expecting. The killings at hand turn out to be part of a string of hideous murders that seem to have a supernatural twist.
Indeed, this film takes a very bleak trip into the darkest recesses of the imagination: the deaths on these home movies are so hideous that we can barely watch them. But then, this also means that the film is more unnerving than nine out of 10 horror movies. And Hawke is a solid central character we can identify with, as he's unable to stop digging into the story, looking further into these murders and watching every last home movie even though he knows he should really stop. He gives Ellison an earthy honesty that carries us along with him, even when some standard movie characters pop up, including an angry sheriff (Thompson), his dopey deputy (Ransone) and an expert professor (D'Onofrio).
Continue reading: Sinister Review
Ellison is an aspiring true-crime writer who decides to move his family into the house where a family of four were brutally murdered nine months previous in order to work on his next novel which he is determined will be a success. When Ellison takes a visit to the attic, he finds, in the center of the floor, a single box with a movie projector and several film reels tucked inside. The films have titles such as 'BBQ '79' and 'Family Hanging Out '11' - the latter is the most recent so Ellison sets it up on the projector. The clip shows the family that were recently murdered enjoying one another's company before cutting to an image of the four of them when they killed. Shocked, Ellison passes the videos on to the police to investigate further and notices the only similarity between all the murders of different families in the house on each of the film reels is a recurring symbol which he later discovers is the mark of a pagan deity named Bagul who he is told feeds on the souls of children. Legend has it that children who see the image of Bagul are vulnerable to his attack because he is alive through his own image. When he begins to target Ellison's family, he realises he must escape before they become the next victims.
Continue: Sinister Trailer
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