In 1961, Joe Meek (O'Neill) runs his music empire from a flat above a shop in Holloway Road, North London, where his landlady (Ferris) tries to ignore the ruckus upstairs. Joe surrounds himself with beautiful young men that he crafts into pop sensations, reaching the peak of success with the UK and US chart-topper Telstar. But Joe is also a victim of bad organisation, paranoia and depression, which leads him to alienate the talented people around him, including both musicians and his financier (Spacey).
Continue reading: Telstar: The Joe Meek Story Review
Lumet earns points for starting off with a bang. The movie opens with a haggard Fonda, her feathered hair coming across like a fright wig, rousing out of bed next to a man. She's a little disoriented... who is he? She turns to wake him up, only to find a steak knife jabbed in his chest. But she can't remember the night before! Did she kill the guy? Or is this the most retarded frame-up in the history of cinema?
Continue reading: The Morning After Review
The actor and writer is best remembered for his role in 1971 movie ‘Willy Wonka & the Chocolate Factory’
Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.