The film, as compelling as it is, is almost undone by Sinatra's performance, which is capable but unequal to his co-stars. Sinatra, of course, had so much power during the making of the film, that he's never really pushed for a good take. As a result, weaker scenes have been left in, presumably due to Sinatra's notorious unwillingness to do retakes. Too bad, because they're needed here badly. It's little matter, though: The Manchurian Candidate's classic structure and breakneck pacing are a perfect match for the movie's incredible story punch to the gut. George Axelrod's script turns Richard Condon's novel into classic cinema. Its suspense is gripping, and its biting political statement (lambasting McCarthyism deeply) is unparalleled in cinema this side of a Michael Moore movie.
Continue reading: The Manchurian Candidate (1962) Review
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