Ben McKenzie, Michael Chiklis, Cory Michael Smith, Erin Richard, Robin Lord Taylor, Jessica Lucas , James Frain - Comic Con Day 4 at The Jacob K. Javits Convention Center at Javitis Center, Comic Con - New York City, New York, United States - Sunday 11th October 2015
Just how well do you really know yourself? This is a question Mina (Sofia Black-D'Elia) is forced to ask herself. When her parents are horrifically murdered in front of her, she is picked up by security services and told the horrible truth - her father is not the man who raised her. She is actually the daughter of a ruthless warlord who had a brief relationship with her mother. Now, the warlord wants her back, and she is forced into a horrific warzone in order to escape the man who is trying to take her, while also save the people he is willing to kill in order to achieve her aims.
Continue: Born Of War Trailer
James Frain and Marta Cunningham - 30th Film Independent Spirit Awards - Arrivals at Tent on the beach, Independent Spirit Awards - Santa Monica, California, United States - Saturday 21st February 2015
The 'sword and shield' television hype continues to grow as The White Queen celebrates its release on DVD and Blu-Ray on the 19th August 2013.
The melodramatic television Drama based on the compelling, brutal and turbulent best-selling history novel The Cousins' War by Philippa Gregory portrays the perceptions of three passionate and equally ruthless women: Elizabeth Woodville, Margaret Beaufort and Anne Neville in their quest for power.
Set in the middle of the 15th Century, England is divided by war as The House of York and the House of Lancaster fiercely fight it out their dispute to who is the rightful king. After much dispute The House of York's young and handsome Edward is mischievously made King by Lord Warwick. All is well until Edward falls in love with Lancastrian Commoner Elizabeth Woodville, ruining Warwick's plan to control the throne. From here on it Elizabeth is put in a violent struggle where she must fight for her life and the crown to the throne. The story unravels and exposes a possible view one of the most interesting stories in British History.
The White Queen's first episode aired on the BBC yesterday evening (16th June). The series is the BBC's summer latest offering to drama fans and follows the stories of the powerful women involved in the War of the Roses.
The White Queen stars two relatively unknown actors, Rachel Ferguson and Max Irons, as Elizabeth Woodville and King Edward IV. They are supported by James Frain, Caroline Goodall, David Oakes, Rupert Graves, Amanda Hale and many, many, many more.
A decent historical drama is signposted by the presence of The Tudors' Frain, The Borgias' Oakes and Graves, who donned a wig in order to play George Villiers in a BBC adaptation of the life and loves of Charles II. It does take a certain type of actor to pull off the floppy haired-tights-codpiece- thigh high boots look. Fortunately this trio do. Max Irons does quite well too.
The programme is a dramatization of the life and times of Elizabeth Woodville, wife of Edward IV. From relatively humble beginnings we see the Lancastrian lass rise to the highest position a woman in medieval society could reach: Queen. Elizabeth was grandmother of Henry VIII, a monarch whose offspring has overshadowed historical drama. The series is based on Philippa Gregory's best-selling book of the same name.
Continue reading: Blood, Sex And Violence: The White Queen
John Reid is a Texas ranger; law-abiding and glad to ride alongside his brother, following in his father's footsteps. However, enforcing the law is the last thing on his mind when his brother is killed in an ambush. When he wakes after the attack, injured, he is confronted by Tonto; a strange Native American spirit warrior who wishes to team up with him and seek justice. Reid must abandon the law, and fight the real crime in the town and so he dons his mask and dubs himself Lone Ranger and with Tonto, vows to protect the people from the impending insidious threat.
Here is the Walt Disney Pictures adaption of the 50s Western TV show 'The Lone Ranger' that first gained public attention as a radio show in the 30s. It's an amusing and truly stunning take on the story featuring an all-star cast with direction from the Oscar winning Gore Verbinski ('Pirates of the Caribbean', 'Rango', 'The Ring', 'Mousetrap'). The screenwriting group includes Oscar nominees Ted Elliott and Terry Rossio ('The Mask of Zorro', 'Pirates of the Caribbean', 'Shrek') as well as Justin Haythe ('The Clearing', 'Revolutionary Road'). The movie is set for release in UK cinemas everywhere from August 9th 2013.
Sadly, there has been such a glut of gun-packed London crime thrillers, that it simply isn't enough to make one that looks good and has a fierce energy: you need a solidly structured plot that goes somewhere unexpected. And that's where this film struggles. It's slick and atmospheric, with a terrific cast, but the story is so overcomplicated that it's almost impossible for us to maintain any interest in what happens.
At the centre is Detective Parker (Sewell), a shifty cop who's playing a very dangerous game as he tries to crush mobster Corso (Byrne) by undermining his cash-flow and threatening his son (Mascolo). Parker gets help from his rather reluctant partner Sands (Maynard), but rookie Riley (Gregory) is horrified to see the corruption he has wandered into. Then the efficient hitman Riley (Stephens) walks straight into the middle of everything, unaware of what's going on. He hides out with an old friend (Paraky) whose husband was also caught in the crossfire. And none of them realises that they're on a deadly collision course.
Isaac has a superb eye for catching London on-screen, using striking iconic locations and placing the action within the sweeping scale of the city. But his overuse of shoot-outs and car chases makes it feel deeply implausible. And his screenplay makes little concession to the audience, as dialog is peppered with references to earlier events we know nothing about. Clearly there are all kinds of interconnections between these people, but it's impossible to untangle them so that things make sense. Much more interesting is the way everyone gets caught up in the moral ambiguity of each decision they must make.
Continue reading: All Things To All Men Review
John Reid bears the alias of the Lone Ranger and uses his title and his mask to fight for justice and maintain the law. He's Texas born, never removes his disguise and fights for peace in his troubled town with his Native American friend Tonto who is a spirit warrior with a personality a mile away from that of the Ranger but they still remain loyal companions on their journey to eliminate crime in their quiet town.
It started out as a thirties radio show before becoming a hit TV series in the fifties, and now it has been adapted by Walt Disney Pictures for the silver screen. 'The Lone Ranger' is an exciting contemporary version of this much-loved tale with high-energy action and much in the way of humour. It's a wonderful take on the famous partnership that is masked hero Tonto and his faithful 'kemosabe'. Oscar winning movie genius Gore Verbinski returned to Walt Disney to work on the movie with Hollywood superstar Johnny Depp in his wake having previously worked on the film company's epic film series 'Pirates of the Caribbean'. The screenwriters include the writers of masked crusader 'The Mask of Zorro' Ted Elliott and Terry Rossio, with Justin Haythe ('The Clearing', 'Revolutionary Road'). It is set to hit cinemas across the UK on August 9th 2013.
Starring: Johnny Depp, Armie Hammer, William Fichtner, Ruth Wilson, James Badge Dale, Tom Wilkinson, Barry Pepper, Helena Bonham Carter, Mason Cook, James Frain, Harry Treadaway, Matt O'Leary, W. Earl Brown, Leon Rippy, Timothy V. Murphy, Joaquin Cosio, Damon Herriman, Robert Baker,
Continue: The Lone Ranger Trailer
And so this straight-to-DVD-after-five-years-on-the-shelf flick would be dismissed as a pale imitation of In the Company of Men, if only it weren't written and directed by a woman, Allison Burnett. And not only is she a woman, she's the very woman who wrote both Bloodsport III: Forced to Fight and Autumn in New York!*
Continue reading: Red Meat Review
The latest big screen adaptation of Alexandre Dumas' "The Count of Monte Cristo" has such a conspicuously clean Hollywood ending that, even though I've never read the book, I was suspicious and went online to bone up a little before writing this review.
Sure enough, even the central act of revenge that motivates this classic tale of obstinate, meticulous reprisal has been unduly rewritten to make for a cinematic and action-packed climax. The hero has been acquitted of his less honorable acts, the fates of characters have been drastically altered (those that haven't been dropped completely, that is), and comic relief has been shoehorned into the story so crudely you can almost see the impatient studio suit tapping his foot on the set and saying, "Can't this be funnier?"
Yet even with these gross departures, this "Count" has such a flavorful, popcorn-literature air about it that at its worst it still recalls the best of Golden Era swashbuckler flicks.
Continue reading: The Count Of Monte Cristo Review
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