Unusually gritty and grounded, this terrorism thriller avoids the pitfalls of most overwrought action movies by creating characters and action situations that are unusually believable, even if the plot itself feels badly undercooked. The problem is that there isn't a clear sense of what's at stake here, because screenwriter Philip Shelby insists on continually blurring the mystery by withholding key details until he's ready to reveal them. So the cleverly played old-style suspense never quite pays off.
It opens at the US Embassy in London, where new security chief Kate (Milla Jovovich) has been alerted to the fact that terrorists are trying to get visas to enter America. Working with the ambassador (Angela Bassett) her team leaders (Dylan McDermott and Robert Forster), Kate narrows in on a suspicious doctor (Roger Rees) who's an expert in explosive gasses. But a shocking bombing stops her short, framing her as the villain. Now she's being chased not only by the Americans, but also a British inspector (James D'Arcy) and a ruthless assassin known as The Watchmaker (Pierce Brosnan). And Kate knows that she's the only one who can stop the nefarious plot, whatever it might be.
This is one of those films that enjoyably pushes its central character over the brink, so we can't help but root for Kate to get out of this seriously messy situation and save the day. Jovovich plays her in a plausible way as a capable woman who has no choice but to fight back and try to survive, because she's the only one who knows that she's not the real threat here. Everyone else is extremely shadowy, although McDermott gets to show a heroic side, as does the terrific Frances de la Tour as the only embassy staff member who believes that Kate is the good guy. Meanwhile, Brosnan gives a remarkably effective performance as a cold-blooded killer.
Continue reading: Survivor Review
The world of counter-intelligence has gotten an awful lot more dangerous. When a visa security officer (Milla Jovovich) is posted in the US Embassy in the United Kingdom, she is tasked with ensuring that known or suspected terrorists are unable to make their way to the United States. But when she come under fire from a deadly assassin known only as "The Watchmaker" (Pierce Brosnan), she ends up framed for various crimes she didn't commit and is forced on the run. Now, she must do her best to keep doing her job while being hunted and tracked by not only The Watchmaker, but US Security Services and Marines.
Continue: Survivor Trailer
Dominic Cooper, Enver Gjokaj, Hayley Atwell, Chad Michael Murray, James D'Arcy and Lyndsy Fonseca - Disney & ABC Television Group's TCA Winter Press Tour - Arrivals at The Langham Huntington Hotel and Spa, Disney - Pasadena, California, United States - Wednesday 14th January 2015
James D'Arcy - A host of stars turned out for the Disney ABC Television Critics Aassociation Winter Press Tour which was held at the Langham Huntington Hotel in Pasadena, California, United States - Thursday 15th January 2015
A pair of best pals are at the point where they are contemplating why nothing in their lives seems to have turned out right so far. To take their mind off their money issues, however, they decide to attend a life-changing costume party - dressed as cops. Everyone seems to assume that they really are law enforcers and they decide to abuse their position by executing their 'power' over party-goers for various minor issues. Hooked on their so-called status, they decide to purchase an old police car despite the risk of being sent to jail for several years for impersonating officers of the law. They are soon favoured by the neighbourhood for their laid-back attitude, but as their fame starts to spiral out of control, they find themselves caught up in the real life criminal underworld with no easy way out.
Continue: Let's Be Cops Trailer
Jupiter Jones has an unfortunate life, barely scraping by with her job cleaning toilets as a janitor. She wouldn't have thought that her life would ever be anything meaningful, but she couldn't be more wrong. One day she is captured and an attempt is made on her life, but she finds herself spectacularly rescued by a charming, if unusual-looking, warrior; a half-man, half-human hybrid who has been genetically modified for the interplanetary military. It's he who leads her to the truth about herself and her destiny. Having been born under a night sky where the stars aligned to form her extraordinary future, Jupiter is the foretold forthcoming Queen of the Universe who has been prophesised to usurp the power of the current King and Queen. Living in fear of their imminent fall from power, the rulers order her to be disposed of as soon as possible. Will Jupiter succeed in her rise to power, or will she be praying to return to her uneventful life on earth?
Continue: Jupiter Ascending Trailer
Jupiter Jones is an impoverished janitor who dreams of a life with much more purpose than she is living. She is convinced that her life will always be one of the many in the world that is simply unimportant, but there are others out there who think differently. Jupiter was born under a night sky whose stars traced a very definite and critical destiny for her. Little does she know that the Earth is a tiny speck in a much larger cosmos ruled over by Queen of the Universe, but also that her genetic make-up makes her the one and only threat to the Queen as she is biologically destined to usurp her title. When an attempt is made on her life, she is rescued by former military hunter Caine; a genetically modified hybrid with human and wolf DNA. Will Jupiter find the strength to fulfil her destiny? Or is it something she could simply do without?
Continue: Jupiter Ascending - Teaser Trailer
Mad geniuses Tom Tykwer (Perfume) and the Wachowski siblings (The Matrix) boldly take on David Mitchell's layered epic novel, which connects six generations through the power of storytelling. The film takes so many huge risks that it's breathtaking to watch even when it stumbles. And as each tale is passed on to the next generation, the swirling themes get under the skin.
The six stories are interlinked in a variety of ways, transcending time to find common themes. On a ship in 1849, a seriously ill American lawyer (Sturgess) shows kindness to a stowaway ex-slave (Gyasi). In 1936 Edinburgh, a great composer (Broadbent) hires a musician (Whishaw) to transcribe his work, then tries to steal the young man's magnificent Cloud Atlas symphony. In 1973 San Francisco, a Latina journalist (Berry) gets a tip about dodgy goings on in a local nuclear power plant. In present-day London, a publisher (Broadbent) is trapped in a nursing home by his brother (Grant) and plots a daring escape. In 2144 Neo Soul, an official (D'Arcy) interrogates a replicant (Bae) who started a rebellion alongside a notorious rebel (Sturgess). And in a distant stone-age future, an island goatherd (Hanks) teams up with an off-worlder (Berry) when they're attacked by a warlord (Grant).
While the themes in this film are eerily involving, what makes this film unmissable is the way the entire cast turns up in each of the six story strands, changing age, race and gender along the way. Even so, they're essential variations on each other. Weaving is always a nemesis, whether he's a hitman, a demon or a nasty nurse. Hanks' characters are always strong-willed and often badly misguided. Grant goes against type to play sinister baddies. And D'Arcy is the only actor who plays the same character in two segments, as Whishaw's 1930s young lover and Berry's 1970s elderly informant. Meanwhile, each segment plays with a different genre: seafaring epic, twisted drama, political mystery, action comedy, sci-fi thriller and gritty adventure.
Continue reading: Cloud Atlas Review
What could have been an intriguing look at how Alfred Hitchcock created one of his most iconic masterpieces is instead turned into a gently entertaining romp. We may enjoy watching the twists and turns as this troubled project takes shape, but the script simply never breaks the surface or gives its stars any real depth to play with. So in the end, the most engaging thing about the film ends up being the portrayal of Hitchcock's marriage.
The story starts with the 1959 premiere of North by Northwest, a hit that critics dismissed as more of the same from a master resting on his laurels. So Hitchcock (Hopkins) decides to give them something unexpected, and takes his first foray into horror based on the little-known novel Psycho, a fictionalised story about a real serial killer. Working closely with his wife Alma (Mirren) on every aspect of the film, he is in constant conflict with the studio chief (Portnow) and the chief censor (Smith), who both believe the material is too strong. Meanwhile, Alma is tired of him flirting with his leading ladies (Johansson and Biel), so she takes a side job with a writer (Huston) who wants to be more than friends.
Oddly, neither director Gervasi (Anvil) nor writer McLaughlin (Black Swan) seems interested in getting beneath the surface of their central character, so Hitchcock is little more than the jovial caricature we saw in his TV anthology series. Hiding under layers of prosthetic face and body fat, Hopkins is good but never seems to break a sweat in the role. Which leaves Mirren to steal the film as Alma, mainly by departing from reality to create a more intriguing movie character instead. And Collette adds some spice as Hitchcock's assistant. But as the cast of Psycho, Johansson (as Janet Leigh), Biel (Vera Miles) and D'Arcy (Anthony Perkins) are only given small details to define them, which leaves them lurking uninterestingly around the edges.
Continue reading: Hitchcock Review
Mary and Mark Hughes vacate to their country vacation home with their 9-year-old son Brendon to help rebuild their troubled marriage following the traumatic and sudden death of their 6-year-old daughter. Guilt, blame and grief are causing tensions within the family and, understandably, all Mary is concerned with is making sure her little boy is safe. It's a quiet time of year when they make their way to their secluded cottage, however it isn't long before a new set of seemingly friendly neighbors, Bobby and Jane Sakowski with their son Jared, make themselves known to the Hugheses who politely ask them to join them for dinner despite feeling less than sociable. It soon becomes clear that the Sakowskis have invested far too much interest in the family and, sure enough, they turn on the Hugheses, setting out on a murderous quest to steal the identity of what they believe is the perfect family.
This brutal home-invasion thriller is a spine-tingling journey that will have you double checking the locks on your doors for weeks. It has been directed and produced by Jeremy Power Regimbal ('Marilyn' producer) in his directorial debut, while the screenplay was tackled by Joshua Close (actor in 'Diary of the Dead' and 'The Exorcism of Emily Rose') who is also set to star in the movie as Mark Hughes. It is set to hit screens in the US on November 9th 2012.
Continue: In Their Skin Trailer
Alfred Hitchcock was in his sixties and struggling to come up with a fresh idea for a new movie; that was until the notoriously terrifying story of 'Psycho' by Robert Bloch came along in 1959. Arguably one of his best ideas for a movie to date, the Oscar nominated Hitchcock set to work pulling it together despite the extreme scepticism of his wife Alma Reville and Paramount Pictures who disapproved of the degree of horror the movie maker was planning to utilise. In fact, he was so confident that he was willing to pour in thousands of dollars for the film to be made when he was refused his usual budget from the studio; an action that Alma found irresponsible and rather worrying.
'Hitchcock' is drama biopic strongly focused on Alfred's often strained though very loving relationship with his wife and has been based on the book 'Alfred Hitchcock and the Making of Psycho' by Stephen Rebello. Directed by Sacha Gervasi ('Anvil: The Story of Anvil' documentary) and written by BAFTA nominee John J. McLaughlin ('Man of the House', 'Black Swan'), this is story of how 'Psycho', one of the greatest films of all time, was made including its inspiration from real-life Winconsin murderer and grave robber Ed Gein. It is set for release on February 8th 2013 in the UK.
Starring: Scarlett Johansson, Anthony Hopkins, James D'Arcy, Jessica Biel, Michael Stuhlbarg, Ralph Macchio, Toni Collette, Judith Hoag, Danny Huston, Michael Wincott, Kurtwood Smith, Richard Portnow, John Rothman, Tara Summers, Helen Mirren.
Continue: Hitchcock Trailer
Named after the notorious Mrs Simpson, Wally (Cornish) is in a 1998 New York auction house examining a vast collection from the life of the British king who gave up the throne for the woman he loved. In swirling flashback, Wally's story is woven in with that of Edward (D'Arcy) and Wallis (Riseborough) in the 20s and 30s, including Wallis' marriages to the violent Win (Hayward) and the accommodating Ernest (Harbour). Meanwhile, Wally is stuck in a cold marriage to William (Coyle) and looked after by a kindly security guard (Isaac).
Continue reading: W.E. Review
Unusually gritty and grounded, this terrorism thriller avoids the pitfalls of most overwrought action movies...
The world of counter-intelligence has gotten an awful lot more dangerous. When a visa security...
A pair of best pals are at the point where they are contemplating why nothing...
Jupiter Jones has an unfortunate life, barely scraping by with her job cleaning toilets as...
Jupiter Jones is an impoverished janitor who dreams of a life with much more purpose...
Mad geniuses Tom Tykwer (Perfume) and the Wachowski siblings (The Matrix) boldly take on David...
What could have been an intriguing look at how Alfred Hitchcock created one of his...
Mary and Mark Hughes vacate to their country vacation home with their 9-year-old son Brendon...
Alfred Hitchcock was in his sixties and struggling to come up with a fresh idea...
Madonna takes an ambitious approach to the 1936 abdication of Edward VIII, merging the history-making...
Corporal Rains is a young yet committed soldier, when his unit is ambushed behind enemy...
Ambitiously tracing the story of Britain's first Special Forces mission, this film's shoestring budget is...