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Barbra Streisand Writing Memoir, Due To Be Released In 2017

Barbra Streisand Elliott Gould James Brolin

Barbra Streisand is writing a memoir and one which promises to set the record straight about her fascinating life and career. The multi-talented New Yorker has signed a deal with Viking, an arm of the publishing giant Penguin. The news was announced by Viking on Wednesday (20th May).

Barbra StreisandBarbra Streisand is writing her memoirs.

Read More: Barbra Streisand Makes Chart History With New Album.

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2015 CBS Upfront

Dianne Wiest and James Brolin - A hosts of celebrities turned out in their numbers and were snapped as they arrived for the 2015 CBS Upfront which was held at The Tent at the Lincoln Center in New York City, New York, United States - Wednesday 13th May 2015

Dianne Wiest
Cast of ''Life in Pieces''
Betsy Brandt, Dan Bakkedahi, Dianne Wiest, James Brolin, Angelque Cabral, Colin Hanks and Zoe Lister Jones

Elsa & Fred Review


While this geriatric romance is too simplistic and sentimental to be anything remarkable, its lively central performances add some badly needed subtext and make the film worth a look. Meanwhile, the supporting cast add some spark to their scenes, elevating the warm, silly drama with quirky humour and some more resonant themes. It's also remarkably honest about how it feels to grow older.

Set in New Orleans, the story starts as 80-year-old Fred (Christopher Plummer) is moved by his hyperactive daughter Lydia (Marcia Gay Harden) into a small apartment building. Fred's wife has recently died, but they didn't get along very well, so he's enjoying being on his own. Although Lydia's husband (Chris Noth) has yet another crazy business scheme he wants Fred to invest in. And his new next door neighbour is Elsa (Shirley MacLaine), a larger-than-life 74-year-old who claims to have once known Picasso. Her son Raymond (Scott Bakula) looks in on her from time to time, while she secretly supports her younger son Alec (Reg Rogers) in his artistic career. She also immediately starts trying to coax Fred out of his shell.

Obviously, the main idea is that you're never too old to fall in love, so director-cowriter Michael Radford (Il Postino) tries to balance a comedy about ageing with a sweet love story about an engagingly mismatched couple. The blend of genres is somewhat uneven, as the script never quite decides whether it's about making the most of the time you have left, being open to unexpected romance or accepting your family members for who they are. All of these big themes are in here, most with a fairly heavy-handed touch. But at least this means that the film is about more than just a bunch of goofy characters interacting in rather silly ways.

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Joel Silver Memorial Day Party

James Brolin - Barbra Streisand and James Brolin seen at Joel Silvers Memorial Day party in Malibu. - Los Angeles, California, United States - Monday 26th May 2014

James Brolin

Barbra Streisand and James Brolin leaving Joel Silvers Malibu Beach House Party

Barbra Streisand and James Brolin - Barbra Streisand and James Brolin leaving Joel Silvers Malibu Beach House Party on Memorial Day - Malibu, California, United States - Monday 26th May 2014

Barbra Streisand and James Brolin
Barbra Streisand and James Brolin
Barbra Streisand
Barbra Streisand
Barbra Streisand and James Brolin

Hallmark TCA Summer 2013 Arrivals

James Brolin - Hallmark TCA Summer 2013 Arrivals - Beverly Hills, CA, United States - Wednesday 24th July 2013

Hallmark Channel & Hallmark Movie Channel 2013 Summer TV Critics Press Tour

James Brolin - Hallmark Channel & Hallmark Movie Channel 2013 Summer TV Critics Press Tour - Beverly Hills, California, United States - Wednesday 24th July 2013

James Brolin

Video - Barbra Streisand Snapped At The Chaplin Award Gala With Michael Douglas And Pierce Brosnan Where She Is To Be Honoured

Oscar and Grammy winner Barbra Streisand is honoured at the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at the Lincoln Center, New York. Snapped on the red carpet are Streisand herself with husband James Brolin, 'Chicago' star Catherine Zeta Jones and 'One Flew Over the Cuckoo's Nest' producer Michael Douglas, and James Bond star Pierce Brosnan with wife Keely Shaye Smith.

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Burlesque Review

It's difficult to imagine a more outrageously camp movie than this glittery romp, and fortunately there's a sense that the cast and crew understand this.

By never taking their ludicrous plot seriously, they've made a true guilty pleasure.

Fed up with dead-end Iowa, Ali (Aguilera) heads for Hollywood. Despite having no experience or training, she's sure she can make it as a singer-dancer. After a series of rejections, she stumbles upon the Burlesque Lounge on Sunset, run by jaded diva Tess (Cher) with the help of her long-suffering buddy Sean (Tucci). Ali charms sexy barman Jack (Gigandet) into a barmaid job, while keeping her sights on the stage. And she's also wooed by Marcus (Dane), a developer who's trying to buy the financially strapped club.

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Last Chance Harvey Review

A film so mild-mannered it only occasionally registers a pulse, Joel Hopkins' Last Chance Harvey is best viewed as proof that not all filmed entertainment these days is nihilistic and grim. Occasionally there are still movies made about gentle, middle-aged people who have had a (mildly) hard time of things but still manage to find love in the gloaming of their years. The problem here being that mildness of heart does not translate into quality of art, or even entertainment.

The Hallmark-ready story begins with Harvey Shine (Dustin Hoffman), a borderline jerk of a guy who appears to have shut down on life by the time we find him. A jingle writer who once hoped for greater things musically, he's on his way to London where his daughter is marrying into a family that seems to have a greater affinity for his ex-wife's new husband than himself.

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The Hunting Party Review

Despite the Western genre's resurgence -- and Hollywood's willingness to remake already acceptable examples of the classic format -- Richard Shepard's The Hunting Party has nothing to do with Don Medford's smoldering love-triangle-on-the-pioneer-trail from 1971 that carries the same name. Instead of a brilliant stand-off between Gene Hackman and Oliver Reed, we get the versatile Terrence Howard and a dependable (but unremarkable) Richard Gere sprinting through a ripped-from-the-headlines satire of our nation's ongoing military turmoil overseas.

Simon Hunt (Gere) has had enough. After years spent covering the atrocities of war with fearless cameraman Duck (Howard) in tow, Hunt lets his wearied emotions get the better of him during a live segment. His meltdown doesn't approach Howard Beale's "mad as hell" level, but it's enough to pull the plug on Hunt's career for the time being.

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Cannes Man Review

The most intriguing part of Cannes Man is virtually unknown director Richard Martini cajoled stars like Johnny Depp and Lara Flynn Boyle to appear in his barely amusing semi-mockumentary. (Editor's note: Another director, Susan Shaprio, recently wrote me to contest Martini's ownership of the film. More as it develops.) The film tells a story of a Jersey punk (Francesco Quinn) who hooks up with a smarmy producer (Seymour Cassel) at Cannes to produce his dream flick, a sci-fi something or other inspired by the works of Troma.

The catch: Cassel's only doing it on a bet that he can turn any old jerk into the toast of the Cannes film festival.

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The Alibi Review

Distraction is one of Hollywood's greatest assets. People are easily distracted by damn near anything, and in movies it becomes crucial. Story doesn't quite make sense? Make an explosion or a tidal wave. Character development not going so well? Throw a love story in and a sex scene for good measure. If you make things complicated enough, the audience really has nowhere to go and just takes things as they come, allowing for some absolutely implausible things to happen. For Kurt Matilla and Matt Checkowski's The Alibi, distraction is the name of the game, but it's all in the name of fun.Steve Coogan, in what seems destined to be only his first Hollywood film, plays Ray Elliott, a man who has built a business around making it safe for people to cheat on their spouses. Through contacts and an outlandishly complex phone and computer system, Elliott has set up alibis for literally hundreds of people who need a quick romp in the sack. While handling his favorite client, Bob (a cheeky James Brolin), Ray decides to hire Lola (Rebecca Romijn) as his new assistant and is asked to handle one last personal case for Bob: an alibi for his son Wendell. As Wendell is getting his freak on in the clear, he accidentally kills the girl he's with and Ray is forced to cover it up, something he vows never to do. Soon enough, the girl's boyfriend (John Leguizamo), a cop (Debi Mazar), and a Mormon assassin (Sam Elliott) are all after Ray and he has to mislead all of them to make sure he can quit and run away with Lola, who has indeed fallen for him even though they only have a handful of scenes together (a largely undisputed problem with many romantic subplots).With a runtime just a tad shy of 90 minutes, The Alibi can't handle all these characters, even if it all just comes back to Ray. Talented actors like Leguizamo, Selma Blair, and the great Elliott play their parts well but are given no room to dig into the roles. In fact, the structure of the film introduces each of these characters as a threat then moves straight into how they get duped by Ray. Writer Noah Hawley seems so interested in the quirkiness and silliness of his characters that he doesn't take time to really bring them to life and make them work their mojo on the film.What keeps the film from being a disaster is Coogan, who gives Ray so much wise-ass, dry-as-a-martini charm that we are simply enamored with laughter every time he comes on screen. Although he seems more at home with indie masterpieces like 24 Hour Party People and Tristram Shandy: A Cock and Bull Story, Coogan has an odd way of keeping us interested in things when Matilla, Checkowski, and cinematographer Enrique Chediak are just fine playing things safe and harmless. In the end, the problem comes down to conflict: there is none. The minute danger is introduced to Ray or the storyline, it becomes clear that Ray can handle it and that there really is no threat at all. Therefore, none of the characters stick, because we know they're all just small-timers compared to Ray. But as far as distraction goes, Coogan has got the whole game wired.

The Amityville Horror (1979) Review

I'm a sucker for both haunted house movies and "true horror" stories, but as I was a mere eight years old when the original Amityville Horror was released, it had joined the kind of horror legendry of The Exorcist, Halloween, and Friday the 13th, all from its general era.

Amityville is based on the famous book of the same name -- a story which is shrouded in mystery and passed off as true. Here's what really happened: In 1974, the DeFeo family living at 112 Ocean Avenue, in Amityville, New York, were shot and killed while sleeping in their beds. The culprit was the son, who is still in prison for murdering six members of his family. The house was eventually sold, and in 1977 the Lutz family moved in. 28 days later, they fled the house in fear for their lives.

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Capricorn One Review

Hal Holbrook steals the show as a semi-deranged NASA exec who fakes a Mars landing in order to save the space program and his job... even if that means offing O.J. Simpson! Cute for a while, Capricorn One wears thin in its second hour, degenerating into a by-the-books chase movie with the feds after the rogue astronauts and Elliot Gould's reporter after the feds. Telly Savalas's cameo is a scream.
James Brolin

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