Told in his usual you-are-there style, with aggressive handheld cameras pursuing his subjects, Winterbottom keeps his story on the ground level, which is to say the human level. He hit his stride with his own brand of expressive naturalism with his Thomas Hardy adaptation, The Claim. One of the most prolific of modern filmmakers, Winterbottom brought joy to the world with his Manchester-based swirl of post-punk music in 24 Hour Party People.
Continue reading: In This World Review
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