Jalil Lespert

Jalil Lespert

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Yves Saint Laurent Review


Good

Like Coco Before Chanel, this French designer biopic is far too respectful of its subject to come to life properly as a movie. It's gorgeous to look at, and features striking performances and a strong central story. But filmmaker Jalil Lespert maintains a too-worthy tone that makes the storyline drag badly, even though there's a strikingly intriguing relationship at the centre.

The film picks up the story of Yves Saint Laurent (Pierre Niney) in the 1950s, when the 21-year-old hotshot is shaking up Paris as a designer for Christian Dior. When military service costs him his job and shakes his mental health, his lover Pierre Berge (Guillaume Gallienne) steps in and becomes his professional partner, helping him establish YSL as an iconic brand. Over the decades Yves reinvents fashion by combining classic looks with imaginative flourishes. As he falls into drugs and alcohol to cope with the overpowering expectations, it's Pierre who keeps him going and manages the company to global powerhouse status. Although outside liaisons put a strain on their personal relationship.

Lespert does a remarkable job at capturing Saint Laurent's visual aesthetic, filling the screen with bold colours, sleek lines and achingly beautiful clothes. The immaculately recreated catwalk shows are stunning, while the raucously staged parties are packed with actors playing iconic figures. But all of these people are little more than bursts of colour in an otherwise glum movie.

Continue reading: Yves Saint Laurent Review

Yves Saint Laurent - Teaser Trailer


Yves Saint Laurent is a 21-year-old aspiring fashion designer whose sketches have caught the eye of one of France's most revered fashion giants, Christian Dior. When Yves finds himself the successor of Dior's fashion house, he suddenly finds himself a major celebrity; a status which grows at the arrival of his first catwalk show. It's there he meets Pierre Bergé, with whom he falls in love and the pair quickly become business partners. However, life becomes more complicated when Yves finds himself fired, and his life spirals into a whirlwind of humiliation, media savagery, drugs and mental illness. Despite his problems, however, he still manages to impress the world with his first collection - a move which would change the world of haute couture forever.

'Yves Saint Laurent' is a biographical drama based on the colourful life of the world renowned designer of the same name. Based on the biography 'Letters to Yves' by Laurence Benaïm, the movie has been directed and co-written by Jalil Lespert ('Headwinds', '24 Bars') with previous screenplay collaborator Marie-Pierre Huster ('Amitiés sincères', 'Headwinds') and Jacques Fieschi ('Going Away', 'Nelly & Monsieur Arnaud'). 'Yves Saint Laurent' is set to be unveiled in the UK on March 21st 2014.

Yves Saint Laurent Movie Review - Click here to read.

Jalil Lespert - 64th Berlin International Film Festival (Berlinale) - '71' photocall - Berlin, Germany - Friday 7th February 2014

Jalil Lespert
Jalil Lespert

Jalil Lespert - 64th Berlin International Film Festival (Berlinale) - 'Yves Saint Lauren (YSL)' photocall - Berlin, Germany - Friday 7th February 2014

Jalil Lespert
Jalil Lespert

Le Petit Lieutenant Review


Excellent
Is procedure really that boring? For ages now, the great detectives and police officers of film noirs and action flicks have dreaded the idea of pushing papers, running by procedure and the loathsome task known as a "desk job." But isn't there such a thing as payoff? Isn't there a deeper, resounding thrill in seeing a case from first report to the click of the handcuffs? If you asked most studio pictures, the answer would be a cumulative "nope," but director Xavier Beauvois seems to be in love with the notion.

Fresh out of police academy, Antoine (Jalil Lespert) has just signed up for assignment in Paris, leaving his wife in the suburbs. His excitement increases when he is introduced to his boss, Inspector Vaudieu (venerable Nathalie Baye), a legend who is returning to work after the death of her son and a long fight with alcoholism. The inspector takes Antoine and his supervisor Solo (Roschdy Zem) along to investigate a homicide, the murder of a bum that unravels into the hunt for two Russian thugs. Antoine gets paired with an older cop, Louis (a fantastic Antoine Chappey), and the inspector takes Solo as her partner as they both take statements, question witnesses, and slowly tiptoe towards the truth.

Continue reading: Le Petit Lieutenant Review

Le Petit Lieutenant Review


Excellent
Is procedure really that boring? For ages now, the great detectives and police officers of film noirs and action flicks have dreaded the idea of pushing papers, running by procedure and the loathsome task known as a "desk job." But isn't there such a thing as payoff? Isn't there a deeper, resounding thrill in seeing a case from first report to the click of the handcuffs? If you asked most studio pictures, the answer would be a cumulative "nope," but director Xavier Beauvois seems to be in love with the notion.

Fresh out of police academy, Antoine (Jalil Lespert) has just signed up for assignment in Paris, leaving his wife in the suburbs. His excitement increases when he is introduced to his boss, Inspector Vaudieu (venerable Nathalie Baye), a legend who is returning to work after the death of her son and a long fight with alcoholism. The inspector takes Antoine and his supervisor Solo (Roschdy Zem) along to investigate a homicide, the murder of a bum that unravels into the hunt for two Russian thugs. Antoine gets paired with an older cop, Louis (a fantastic Antoine Chappey), and the inspector takes Solo as her partner as they both take statements, question witnesses, and slowly tiptoe towards the truth.

Continue reading: Le Petit Lieutenant Review

Human Resources Review


Extraordinary
"Human Resources" usually refers to the department that deals with employee relations (i.e. where they hire and fire them), but taken literally it also means dealing with the resources that make us human. This powerful French film, directed by Laurent Cantet, clearly means to use the term ironically with a slight leaning toward the latter definition.

Frank (Jalil Lespert) comes home from a business College to work a summer internship in the management office with the same company that employs his father (Jean-Claude Vallod) who is a factory worker there. Right from the start, Human Resources sets up the contentious scenario of father versus son, but it's a credit to the intelligence of the script, by Laurent Cantet and Gilles Marchand, that it doesn't follow a plot line that you would expect it to.

Continue reading: Human Resources Review

Les Sanguinaires Review


OK
A group of slacker French people decide the upcoming millennium is going to be too plastic and annoying, so they head to a small island off the coast of the country. Soon they're annoying each other, and a donkey ends up dead. In 68 minutes, we're treated to a crude digest of L'Avventura as seen through the eyes of a bunch of hopeless Francs. Part of the "2000 Seen By" series of films about the eve of the millennium, none of which anyone seems to have seen.
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Jalil Lespert Movies

Yves Saint Laurent Movie Review

Yves Saint Laurent Movie Review

Like Coco Before Chanel, this French designer biopic is far too respectful of its subject...

Yves Saint Laurent Trailer

Yves Saint Laurent Trailer

Yves Saint Laurent is a 21-year-old aspiring fashion designer whose sketches have caught the eye...

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