Producer Jake Eberts has died at the age of 71.
The Canadian-born moviemaker passed away on Thursday (06Sep12) following a brief illness, according to the Montreal Gazette.
Eberts worked on a number of critically acclaimed films during his lengthy career, including Chariots of Fire, Gandhi, Driving Miss Daisy and Dances with Wolves - which all won coveted Best Picture Academy Awards.
He founded independent production company Goldcrest Films, as well as Allied Filmmakers, and also served as chairman of National Geographic Films. In 1992, he was recognised for his achievements with the Officer of the Order of Canada honour.
Continue reading: Producer Jake Eberts Dies
Director Jean-Jacques Annaud (Enemy at the Gates, The Lover) returns to wild animal territory last seen in his film The Bear, choosing to focus his latest project - a children's movie - on two live, non-talking, non-CGI tigers. The result is a pleasantly sweet-natured and sometimes remarkable kids' film. Perhaps the biggest shocker is that, in these days of Babe and Pixar, Universal let this honest tale get out of the edit room without CGI-ing in even a single eyebrow-raise on these cubs' faces.
Continue reading: Two Brothers Review
It's 1882, and best friends Charley (Costner) and Boss (Robert Duvall) are cowboys who have lived on the open range for ten years, driving cattle in a world where nature makes the only laws. Roaming the West with them are rambunctious young cowboys Button (Diego Luna), Mose (Abraham Benrubi), and Charley's faithful dog. When a rainstorm strands their wagon, Charley and Boss send Mose to the nearest frontier town to gather additional supplies. When he doesn't return, they decide to take a visit to the town -- with their revolvers at hand -- to search for him.
Continue reading: Open Range Review
There is, indelibly, a hint of New Age in Sacred Planet, the latest IMAX documentary film to be released to DVD. The producers play it up in the advertising, the tribal font of the title, the narration by Robert Redford, the world music score. Like Baraka and Koyaanisqatsi before it, Sacred Planet is a film designed to both transport us somewhere and teach us something. And the lesson is the same: we live in an interconnected world. However, unlike Baraka and Koyaanisqatsi, Sacred Planet demands very little from the audience.
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Based on Umberto Eco's dense and demanding bestseller, The Name of the Rose, is basically a love letter to Sir Arthur Conan Doyle. Unfortunately, the film version never passes up an opportunity to remind us of that fact.
Continue reading: The Name Of The Rose Review