She's One of Us' international title, For She's a Jolly Good Fellow, might have added a touch of wry irony to this ponderous pseudo-thriller. As it stands, however, Alnoy's formalized film plods along with an unwarranted air of profundity. Christine, her last name (Blanc) hinting at her overwhelming vacuity, shuffles wide-eyed from one high-rise office job to another, failing at each to make an impact on her disinterested colleagues. Determined to make nice-nice with someone, she latches onto her temp agency boss Patricia (Catherine Mouchet), lying about a shared affinity for collectible glass owls and repeating snippets of conversation she's overheard at the grocery store. For reasons unknown, Patricia begins to spend her free time with Christine, but things go haywire when, in a fit of embarrassed rage while at a local swimming pool, Catherine lethally lashes out at her new friend.
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Ever the free spirit, Huppert's Frédérique has a vague Peter Pan syndrome crossed with exhibitionism. Since her youth (you can tell it's a flashback because she has really long hair), she's made a vow to always woo money out of men by playing neo-whore, but without having sex with them. Heading to Japan with a man (Daniel Olbrychski) she meets in a bowling alley (where else would she encounter him!?) is just this to the nth degree. There she encounters another man's wife (Jeanne Moreau), who tells her about satori, the "world of ecstasy."
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Released just in time for a wave of anti-French sentiment, the film follows a French colony in Africa's Ivory Coast on the eve of World War I. The Frenchmen discover that war has been declared, so they figure they'll do their part by attacking the German colony up the river. After all, they have six rifles, and one of them's an automatic.
Continue reading: Black And White In Color Review