Adapted from Maxim Gorky's original play, The Lower Depths follows the tawdry goings-on of a group of flophouse denizens whose lives are complicated by love, crime, a pair of unsavory landlords, and above all poverty. The primaries in this cast of miscreants are the thief Pépel (Jean Gabin), a baron whose taste for games of chance has stripped him of his wealth (Louis Jouvet), the miserly landlord and sometime fence for Pépel's goods (Vladimir Sokoloff), his shrill wife (Suzy Prim), and her beautiful and available sister (Junie Astor). An alcoholic actor, a prostitute with a longing for true romance, and a pilgrim of questionable sagacity function as secondaries. Driving the action is a complicated love affair being conducted by Pépel and the landlady; she's in love, he isn't. Or rather, he is, but not with her. The object of his true affections is her lovely sister Natasha.
Continue reading: The Lower Depths (1936) Review
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