Foreign art films are mostly appreciated by a small group of patrons and critics who like almost all foreign films, from The Rules of the Game right down to travesties like Blow-Up, and barely discriminate between a masterpiece and a skin flick. Meanwhile, mainstream audiences continue to ignore other European films. This is a shame, because a lot of European directors - well, at least a few - are making films that outshine American attempts in every genre.
With Toto the Hero, aka Toto Le Heros, Belgian newcomer Jaco Van Dormael created a whimsical and disturbing debut that was Belgium's biggest international hit to date. Toto Le Heros is a celebration of the absurd, a meditation on the eternal return, Back to the Future with a European sensibilite. What else can you say about a movie that makes obsessive love for one's sister, fantasies of murdering a rival, a life spent alone, and shoplifting and setting fire to buildings all seem sweet as an afternoon picnic?
Continue reading: Toto The Hero Review