Twenty-three year old debuting writer-director Adam Bhala Lough amps up the life of a graffiti bomber in a visual style generated on the cutting table. And, while some might call a technique of overlapped time cuts, freeze frames that thaw, jump frames and general image deviltry a daring adventure in underground cinema, others may see it as too much hip stylization.
Continue reading: Bomb The System Review
With a fourth solo album having just dropped and his 50th birthday celebrations behind him, John Grant kicked off the UK leg of his latest tour in...
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