People may forget that The Exorcist, recently screened at the Boston Film Festival and now hitting wide re-release, was a wildly independent movie when that particular movement was really getting in gear. Shocking and blasphemous-beyond-words in 1973, the story of a sweet little girl's demonic possession still has a renegade feel today -- the introductory exposition takes nearly forty minutes, the use of profane language is disgusting and thrilling, even by today's standards, and the long battle at the film's end is relentless.
Continue reading: The Exorcist Review
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