Neil Patrick Harris looked as natural in drag at the Tony Awards as he does in a suit and tie. He's not the only actor who's donned drag for a role and never looked back.
So, Neil Patrick Harris basically won the Tonys 2014 (the whole thing) with his performance of "Sugar Daddy" from Hedwig and the Angry Inch. Harris has been making headlines as the lead in the Broadway show since he joined the cast earlier this year. He’s not the first actor to don drag for a role, these other actors have all dressed up like the fairer sex for performances in the past.
Neil Patrick Harris has received rave reviews for his performance in Hedwig and the Angry Inch
Continue reading: Neil Patrick Harris And 9 Other Actors Who Donned Drag For Roles
Milking a 50-odd year rivalry, John Gustafson (Lemmon) and Max Goldman (Matthau), for reasons where logic dare not tread, live right next to each other in suburban Minnesota. Their lives hinge on very few things: Their kids, fishing, grandkids, fishing, evading tax collectors, fishing, and going to the bait shop to talk with Charlie (Ossie Davis) about fishing. That is when they aren't being a royal pain in each other's asses.
Continue reading: Grumpy Old Men Review
After adapting his Come Blow Your Horn and Park for the big screen, Simon was given the complicated task of translating his mega-hit The Odd Couple as a movie. While the studios would accept Oscar- and Tony-winner Walter Matthau as Oscar, Art Carney's cinematic clout as Felix was questioned. Luckily, director Gene Saks hired friend and Fortune Cookie co-star Jack Lemmon as the notorious neat freak. The rest, as they say, is motion picture history.
Continue reading: The Odd Couple Review
Like Pearl, Horman was a reporter -- or, at least, he wanted to be one -- which brought him to Chile during the violent upheaval in this troubled South American country. Martial law is in full effect: If you can't tell by the military officials and machine guns on every corner, then perhaps the piles of dead bodies -- some covered, some not -- might clue you in.
Continue reading: Missing Review
As Brandeis University professor Morrie Schwartz's body deteriorated from Lou Gehrig's Disease, former student Albom decided to record the man's thoughts on an array of topics. If the movie is anything like the book, then Morrie sounds like the world's foremost pop psychologist.
Continue reading: Tuesdays With Morrie Review
Spinning together a series of short stories from the master of the form, Raymond Carver, Altman takes some 20-odd Los Angelenos and twists their lives together seemingly just for the fun of how their individual little lives play out and connect up, like a puppetmaster who can't stop adding new puppets to his repertoire. To flesh out his tapestry of early '90s Southern California life, Altman has a fine batch of actors and actresses, including everyone from the best of their generation (Jennifer Jason Leigh, Robert Downey Jr) to the solidly respectable but not terribly exciting choices (Julianne Moore, Matthew Modine, Madeleine Stowe) to oddly effective musician stunt casting (Lyle Lovett, Tom Waits, Huey Lewis) to one lordly presence (Jack Lemmon).
Continue reading: Short Cuts Review
The story opens in the present with an aged Hardy Greaves (Jack Lemmon) suffering a heart attack on a golf course. As he lies quietly smiling to himself, he muses on the frequency of his cardiovascular failures and his love of the game of golf, which meanders into a quixotic narration on the career of Rannulph Junuh (Damon). Soon the narrative fades to the past and we see Junuh at the height of his career, in the company of the enchanting Adele Invergordon (played by Charlize Theron of The Devil's Advocate fame; who, by the way, happens to represent the purest embodiment of good, wholesome sex that the film industry has to offer).
Continue reading: The Legend Of Bagger Vance Review
To be sure, Tony Curtis thinks he looks like Cary Grant in his sailor uniform but he really looks more like Charles Nelson Reilly, and Marilyn is visibly, obviously trashed out of her gourd for the entire picture, but hey, it was fun in the sun at the Hotel Del Coronado in the Prohibition era, and even the mob on their collective tails can't put a dent in the fun.
Continue reading: Some Like It Hot Review
Who knew director James Foley had this movie in him. With credits from Who's That Girl? to Fear to The Corruptor, Foley hasn't made a passable movie before or since this 1992 production. Having a script by David Mamet (based on his stage play) doesn't hurt, nor does having at least two screen legends in the cast. Hell, even the minor characters are stellar. Jonathan Pryce's beaten-down mark is one of the most memorably pathetic losers on celluloid. Alec Baldwin's five minutes of screen time here is his greatest work ever.
Continue reading: Glengarry Glen Ross Review
Isn't it ironic that Robert Redford, the Sundance sugar daddy of independent film, seems to have become incapable of directing a movie that isn't utterly conventional, soft-focused Hollywood melodrama?
Granted, he's good at it. There's a certain beauty and poetry to films like "A River Runs Through It," "The Horse Whisperer" and his new golf-as-philosophy fable "The Legend of Bagger Vance," but it's a Hallmark card kind of beauty and poetry, printed on flimsy paperboard and worth $2.50 at most.
The title character of "Bagger Vance" -- a folksy, Southern, porch swing spirit guide played by Will Smith -- even speaks a lot like a Hallmark card.
Continue reading: The Legend Of Bagger Vance Review