Even with its inane script and limp direction, this film is watchable simply because Drew Barrymore is present to humanise Adam Sandler. How she does this is a mystery, but the fact remains that he's annoyingly unlikeable without her. And history proves the point: Sandler's best-ever performances were in two films opposite Barrymore, 1998's The Wedding Singer and 2004's 50 First Dates. Although this movie isn't quite in that league.
They play Lauren and Jim, who meet on a disastrous blind date and vow never to see each other again. But they end up inadvertently sharing a safari holiday to South Africa when Lauren's best pal (Wendi McLendon-Covey) and Jim's boss cancel a holiday with their five kids. Which is handy since Lauren has two energetic sons (Braxton Beckham and Kyle Red Silverstein) while Jim has three needy daughters (Bella Thorne, Emma Fuhrmann and Alyvia Alyn Lind). Of course, the children are happy to have same-sex role models along, even if Lauren and Jim can't bear to be around each other.
There isn't a split-second when we don't know exactly where this plot is heading, even though the script veers wildly between wacky slapstick mayhem and sappy lesson-learning sentimentality. Every scene is carefully concocted to elicit either laughter or tears, and the manipulative filmmaking occasionally works. Although the movie's funniest moments are offhanded gags that feel improvised between Barrymore and Sandler. The child actors are all decent, carefully cast so each each simplistic character can have his or her corny journey to some sort of personal discovery.
Continue reading: Blended Review
There was nothing remotely notable about 2010's Grown Ups, and now we have a sequel that's even lazier. Without any actual plot to speak of, the movie merely strings together a series of unfunny scenes that include cheap gags and childish vulgarity but never a punchline. Sure, the scattershot approach might occasionally touch on recognisable situations, but there isn't a genuine laugh in the whole film.
After the reunion in the original movie, Lenny (Sandler) has moved back to his hometown with pals Eric, Kurt and Marcus (James, Rock and Spade). They're planning a big party just like in the old days, complete with a 1980s theme. But their children are getting older and have their own issues, including first dates and driving tests. And in Marcus' case, the kid is a teen thug (Ludwig) he only just discovered he had. But the real problem is that the guys have just sparked a turf war with a gang of idiotic fratboys from the nearby university. And now they have to prove once and for all who's really cool.
As with the first movie, you get the feeling that everyone on screen has somewhere better to be. There's no character development at all, since there are so many people spread across so many short scenes. Hayek, Bello and Rudolph are back as the guys' wives, but get exactly one thankless thing to do each. And it's not much better for the supporting cast of A-list cameo players like Buscemi (as a driving instructor), Lautner (as the fraternity leader) and so many more recognisable actors that you begin to wonder what dirt Sandler has on all of them.
Continue reading: Grown Ups 2 Review
'Grown Ups 2' premiered in New York last night but what are early reviews saying?
The comedy sequel to 2010's Grown Ups, Grown Ups 2, is ready to hit cinemas this summer. All of the film's stars showed up on the red carpet in New York last night at the premiere of the new movie that looks to be hilarious. According to Yahoo! Movies, Adam Sandler led the rest of the cast, including Chris Rock, Kevin James, David Spade and Salma Hayek, down the red carpet at the AMC Loews Lincoln Square.
Adam Sandler Plays Lenny Feder In Grown Ups 2.
Directed by Dennis Dugan, in Grown Ups 2 we'll see Lenny Feder (Sandler) three years on from the events of Grown Ups where he has moved back to his small hometown with his wife (Hayek) and kids to reunite with his old friends (Rock/James/Spade) and their families. The film will focus on the kids' last day of the school year and the inevitable mishaps and unpredictable surprises. The tagline for the film is "Just because they're a little older doesn't mean they've grown up" and certainly, don't expect any high-brow humour here.
Danny (Sandler) is a plastic surgeon who has found that pretending to be in a bad marriage is a sure-fire way to seduce women. Then he meets bombshell nice-girl Palmer (Decker) and his plan backfires. He thinks there may be a future with her, but she wants to meet his wife to make sure it's over. So Danny gets his assistant Katherine (Aniston) to pose as his ex, inadvertently roping her eerily smart children (Madison and Gluck) into the improvised charade along with Danny's loser cousin Eddie (Swardson).
Continue reading: Just Go With It Review
Five school buddies return home 30 years later for their beloved coach's funeral. Lenny (Sandler) is now a high-powered Beverly Hills agent married to a hot fashionista (Hayek). Eric (James) is an average guy with a lively wife (Bello) and unruly kids. Kurt (Rock) is a frazzled househusband married to a high-powered shrew (Rudolph). Marcus (Spade) is still the same lothario. And Rob (Schneider) is an overly emotional goofball with a much-older wife (Van Patten). Altogether, they head to a lake house for a week of wacky antics and shallow soul-searching.
Continue reading: Grown Ups Review
But the other part of Sandler's "oeuvre" consists of movies like Spanglish and Punch-Drunk Love -- odd hybrids of broad humor and quirk -- and toned-down, frothy mainstream comedies like Click and Bedtime Stories. It would be unfair to accuse Sandler of selling out his artistic vision in these films -- not only because Little Nicky wasn't art, but because the non-manic goofiness of Bedtime Stories may be closer to the real Sandler. And with some script consulting help, someday the real Sandler might make a really good film. Bedtime Stories isn't it, but at least it's mostly aimed in the right direction.
Continue reading: Bedtime Stories Review
But years of scene-stealing in both indie movies and lowbrow comedies have refined Faris's approachable goofiness, and she finds an original, star-quality approach to playing a cheesy sex bomb. As Shelley, Faris widens her eyes (or as Shelley refers to them, "the nipples of the face") as if she's struggling to see through her own blissful daze, and speaks with a breathy, earnest tone. She's superficial and bubbleheaded, but doesn't have a malicious bone in her toned body; Faris finds comedy in her innocent belief in the healing togetherness of the Playboy fantasy. Shelley's attempts at sexiness are so goofy that they go back around and become sexy again.
Continue reading: The House Bunny Review
So, one day Chuck Levine (Sandler) and Larry Valentine (James) decide to get hitched. The reason is simple: Larry doesn't want to fill-out an insurance form, so he gets Chuck to pose as his "life partner," thus allowing any pension money to go directly to Larry's two kids, a tomboy daughter and a showtune-singing son. Larry still can't get over his saintly wife's death and Chuck has more than likely contracted more STDs than the leather upholstery in Tommy Lee's Jaguar; they're a match made in heaven.
Continue reading: I Now Pronounce You Chuck And Larry Review
In the first Deuce Bigalow, Rob Schneider created an amusing character, probably the first male prostitute to carry a feature film aside from American Gigolo, and there's no reason the joke couldn't have lasted through a sequel or two, except one: Schneider is a non-presence on screen. Whether he's wearing a diaper, swordfighting, or dancing to accordion music, or whatever else he's doing, Schneider has no comedic appeal, nil.
Continue reading: Deuce Bigalow: European Gigolo Review
Little Nicky (Adam Sandler) is the devil's third---and least impressive---son. Bested in brains by his brother Adrian (Rhys Ifans) and in strength by his brother Cassius (Tiny Lester), Nicky finds little joy outside of hanging out in his hell-bound bedroom, banging his head to heavy metal favorites. That is, until his father's 10,000-year reign draws to a close and it's time to name the new ruler of Hades.
Continue reading: Little Nicky Review
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