Even if McCormick would have done a verbatim, shot-for-shot remake of the sub-par 1980 film of the same name (cough, Haneke), this Prom Night remake would have a stood more of a chance. Instead, McCormick tries to drum up scares through loud noises associated with mirrors, plastic tarps, and lamp shades, making inanimate objects more terrifying than the killer. The movie is driven by these red herring scares and any gore from the murders, which seems to be the only horror that excites these days, is done off-screen. That's not to say that buckets of blood would have saved this movie, but the one time that you actually sit up and take notice is when blood is splattered against a plastic construction tarp -- the only 30-second shot McCormick might have been awake while directing.
Continue reading: Prom Night Review
Upon father investigation, we learn the MPAA rated The Covenant PG-13 for "intense sequences of violence and action, some disturbing images, sexual content, partial nudity and language." What more can you ask for in a guilty pleasure? With alleged intense action, sex appeal, and supernatural qualities, The Covenant just has to be a treat for the senses--right?
Continue reading: The Covenant Review
Sean (Kerr Smith), a struggling film editor for a B-movie studio, heads out onto the road from LA to deliver a vintage Mercedes and attend his sister's wedding in Florida. Along the way, he picks up Nick (Brendan Fehr), a hitchhiker with a lame beard who sweats profusely and holds a hidden agenda. During a rest stop, Sean and Nick pick up a dazed girl named Megan (Izabella Miko), an apparent vampire victim who was left for dead by a nightcrawler gang roaming the countryside.
Continue reading: The Forsaken Review
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