Wild at Heart was puzzling, because it was screwed up and it was hard to figure out why. Time - and, 14 years later, the DVD release - helps to clear up that central enigma. Based very loosely on Barry Gifford's novel, this manic, Southern Gothic road movie now seems too deliberately weird. And in retrospect the cause seems to be that its creator, a strange man if the available evidence of his films is to be believed, and one who then was only recently revered as a certain type of genius, was trying so hard just to be himself.
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Turns out it doesn't matter much. Ford is of course a talented action/adventure hero, maybe the best ever. It's too bad that this Jack Ryan adventure has less epic-ness than Red October; it's written small, with Ryan caught up in an IRA attack on British bigwigs. After capping off a few of them in an impromptu streetfight, Ryan finds his family hunted down in America. Eventually -- of course -- he has to save them (using his litany of superspy tricks and tactics).
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Let me put it this way: Go is the best movie I've seen since Fargo. Doug Liman, the man behind the brilliant Swingers, (which, I realized, came out much too long ago, in 1996), has concocted such a film that I'm almost compelled to pay the whopping $8.50 to see it again.
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Still here? I thought so. Suspended Animation quickly dispenses with the kidnapped author premise, as Tom's friends sweep in for a daring rescue and a bloody snowmobile chase quickly follows. Just as I predicted the opening of the movie as a pale rip-off of Misery, I now thought it was going to be a girl hunter version of Deliverance. Not so. Again, Suspended Animation jets through this section with economy and an appropriate level of menace. Unlike most low budget thrillers that dawdle their way through 90 minutes, Suspended Animation briskly covers that territory in less than half of its entire running time (a surprisingly fast two hours).
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