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Chaos (2001) Review


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Coline Serreau's Chaos is never quite sure of what it wants to be. The story of a Parisian woman who becomes involved with a prostitute fleeing a gang of pimps, the film could easily be summarized as a cat-and-mouse thriller. On the other hand, it's also the comical story of the same woman's bumbling husband and son, who - once she takes off on the lam with her new hooker companion - can't perform even the simplest household tasks without female supervision. And yet, more than anything else, it's a social drama about seemingly powerless women fighting back against a male-dominated society that physically and psychologically beats them into submissive roles. Wildly careening between crime drama, French farce, and woman's picture, the film frequently seems to be on the verge of splitting at the seams. But even if Chaos is hampered by a desire to be all things to all people, Serreau's nimble touch bestows this schizophrenic genre pastiche with an infectiously zany verve.

Hélène's (Catherine Frot) loveless marriage to Paul (Vincent Lindon) comes to a head when, while returning home from an evening out on the town, a hysterical hooker (Rachida Brakni, in a mesmerizing debut performance) throws herself on the hood of their car while attempting to escape a trio of savage attackers. Instead of trying to save the woman, Paul instinctively locks the doors, thus allowing the men to finish dishing out their brutal beating. When the assailants are done, Paul - a paragon of twenty-first century male insensitivity - is more interested in cleaning his windshield of prostitute blood than tending to the savagely beaten girl lying next to his shiny new sedan.

Continue reading: Chaos (2001) Review

Chaos Review


OK
Coline Serreau's Chaos is never quite sure of what it wants to be. The story of a Parisian woman who becomes involved with a prostitute fleeing a gang of pimps, the film could easily be summarized as a cat-and-mouse thriller. On the other hand, it's also the comical story of the same woman's bumbling husband and son, who - once she takes off on the lam with her new hooker companion - can't perform even the simplest household tasks without female supervision. And yet, more than anything else, it's a social drama about seemingly powerless women fighting back against a male-dominated society that physically and psychologically beats them into submissive roles. Wildly careening between crime drama, French farce, and woman's picture, the film frequently seems to be on the verge of splitting at the seams. But even if Chaos is hampered by a desire to be all things to all people, Serreau's nimble touch bestows this schizophrenic genre pastiche with an infectiously zany verve.

Hélène's (Catherine Frot) loveless marriage to Paul (Vincent Lindon) comes to a head when, while returning home from an evening out on the town, a hysterical hooker (Rachida Brakni, in a mesmerizing debut performance) throws herself on the hood of their car while attempting to escape a trio of savage attackers. Instead of trying to save the woman, Paul instinctively locks the doors, thus allowing the men to finish dishing out their brutal beating. When the assailants are done, Paul - a paragon of twenty-first century male insensitivity - is more interested in cleaning his windshield of prostitute blood than tending to the savagely beaten girl lying next to his shiny new sedan.

Continue reading: Chaos Review

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