Israel Horovitz

Israel Horovitz

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AARP The Magazine Honors Best In-50 plus cinema at 14th Annual Movies for Grownups Awards Gala

Israel Horovitz - Celebrities attend AARP The Magazine honoring Best In-50 plus cinema at 14th Annual Movies for Grownups Awards Gala at Beverly Wilshire Hotel at Beverly Wilshire Hotel - Los Angeles, California, United States - Monday 2nd February 2015

Israel Horovitz
Israel Horovitz

My Old Lady Review


Good

Every threat of sentimentality and melodrama is averted by a seriously strong cast working from a snappy script. It may be warm and gentle, but the honest humour and twisty plot make sure the audience is entertained rather than manipulated. And there are some startlingly edgy scenes along the way that allow the actors to create spiky, fully formed characters while clearly having a great time in each other's company.

Based on writer-director Israel Horovitz's stage play, most of the action takes place within a vast old flat in central Paris that has just been inherited by Jim (Kevin Kline), who flies in from New York so he can sell it. He's at the end of his rope and needs the cash, so is unnerved to discover that the apartment is a "viager", a quirk in French property law that allows the past owner to remain in the home for the rest of their life. So Jim can't sell the flat as long as 92-year-old Mathilde (Maggie Smith) is alive, and her daughter Chloe (Kristin Scott Thomas) immediately locks horns with Jim, who has already been in touch with a despised developer (Stephane Freiss). As the days pass, Jim is so determined to figure out how to make some money off of this property that he ignores the much bigger things going on around him.

Kline actually manages to make the deeply bullheaded Jim surprisingly likeable, adding a generous charm to the character's overpowering inner misery. So while he dismisses both women out of hand, the audience can see that there might be some substance there. Smith and Scott Thomas are of course terrific as the put-upon women trying to defend their lifelong home. And all three characters must face some unexpected truths about their own pasts in order to plot a course forward. This messy, revelatory plotting is so much fun that the hint of romance between Jim and Chloe feels almost irrelevant.

Continue reading: My Old Lady Review

My Old Lady - Trailer Trailer


Mathias (Kevin Kline) is penniless and pretty down on his luck in New York despite having come from a wealthy family. In what seems like a fortunate turn of events, he inherits a sensational apartment in Paris which could land him a lot of money on selling. However, when he travels over to check the place out and set the selling in motion, he meets an elderly tenant named Mathilde (Maggie Smith) who explains that the apartment is 'viager' - a French real estate system which means Mathias must pay a monthly sum to Mathilde until her death before he can gain possession of the property. The pair make a deal allowing Mathias to stay with her at the property, and it's then he meets her daughter Chloe (Kristin Scott Thomas). Chloe's not happy about Mathias' plans to gain ownership of her home but the pair soon bond over their own childhood troubles - things get even more complicated for Mathias when he discovers some deep truths about his father's relationships.

Continue: My Old Lady - Trailer Trailer

New York, I Love You Review


Good
There are 11 captivating short films in this anthology, the second in the Cities of Love series by producers Benbihy and Grasic. But this collection isn't quite as varied or engaging as Paris Je T'Aime.

All of these stories take place in Manhattan, with only one or two brief forays into other boroughs, and they all centre around relatively well-off people, mainly white or Asian. They're also quite serious and emotional, with only brief moments of humour dotted here and there, although some make us smile more than others. Each is about a male-female relationship--marriages, brief encounters, possibilities, life-long companionship. Most have a somewhat gimmicky twist, and a few are intriguingly oblique.

Continue reading: New York, I Love You Review

Picture - Israel Horovitz New York City, USA, Friday 23rd July 2010

Israel Horovitz Friday 23rd July 2010 The Golden Pineapple Awards at the Producers Club as part of the International CringeFest 2010 New York City, USA

Picture - Israel Horovitz and Adam Horovitz New York City, USA, Wednesday 21st May 2008

Israel Horovitz and Adam Horovitz - Israel Horovitz and Adam Horovitz New York City, USA - Red Rope Playhouse presents 'Ex-Lovers' at the Westside Theatre Wednesday 21st May 2008

Israel Horovitz and Adam Horovitz

Picture - Israel Horovitz, Zoe Kazan and... New York City, USA, Wednesday 21st May 2008

Israel Horovitz, Zoe Kazan and Scott Cohen - Israel Horovitz, Zoe Kazan and Scott Cohen New York City, USA - Red Rope Playhouse presents 'Ex-Lovers' at the Westside Theatre Wednesday 21st May 2008

Picture - Israel Horovitz and Zoe Kazan New York City, USA, Wednesday 21st May 2008

Israel Horovitz and Zoe Kazan - Israel Horovitz and Zoe Kazan New York City, USA - Red Rope Playhouse presents 'Ex-Lovers' at the Westside Theatre Wednesday 21st May 2008

Sunshine (2000) Review


Excellent
Now that the 20th century is finally over, I guess it's time to start re-interpreting it. Hopefully, summarizers of the century will follow the example of Hungarian director Istvan Svabo and honestly face the truth, no matter how painful. (Unfortunately, many intellectuals don't always seem interested in the truth --- especially about subjects like communism, which many continue to embrace.)

In Sunshine, Svabo looks back through the last 100 years of his country's history for meaning, and finds some --- enough to fill a three-hour, soapy epic about the century's chaos. The film mostly works, and is a worthy addition to Svabo's art.

Continue reading: Sunshine (2000) Review

Sunshine Review


Excellent
Now that the 20th century is finally over, I guess it's time to start re-interpreting it. Hopefully, summarizers of the century will follow the example of Hungarian director Istvan Svabo and honestly face the truth, no matter how painful. (Unfortunately, many intellectuals don't always seem interested in the truth --- especially about subjects like communism, which many continue to embrace.)

In Sunshine, Svabo looks back through the last 100 years of his country's history for meaning, and finds some --- enough to fill a three-hour, soapy epic about the century's chaos. The film mostly works, and is a worthy addition to Svabo's art.

Continue reading: Sunshine Review

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