Isao Kiriyama

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Azumi Review


Very Good
When underground director Ryuhei Kitamura announced that he'd be making Azumi, his first film inside the Japanese studio system after a successful run of independent films (Versus, Aragami), fans may have had just cause to fear. Not only was he joining the mainstream machine, but he was also directing -- for the first time -- a script in which he had no hand. As it turns out, there's no need for concern.

Azumi opens in war-torn feudal Japan. A clan of assassins, raised from youth by their master Gessai (Yoshio Harada, resembling no one so much as a Japanese Burt Reynolds), endeavor to wipe out three warlords bent on waging yet another bloody struggle to rule the country.

Continue reading: Azumi Review

Azumi Review


Very Good
When underground director Ryuhei Kitamura announced that he'd be making Azumi, his first film inside the Japanese studio system after a successful run of independent films (Versus, Aragami), fans may have had just cause to fear. Not only was he joining the mainstream machine, but he was also directing -- for the first time -- a script in which he had no hand. As it turns out, there's no need for concern.

Azumi opens in war-torn feudal Japan. A clan of assassins, raised from youth by their master Gessai (Yoshio Harada, resembling no one so much as a Japanese Burt Reynolds), endeavor to wipe out three warlords bent on waging yet another bloody struggle to rule the country.

Continue reading: Azumi Review

Isao Kiriyama

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