Isabelle Huppert

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Video - James Denton And Jena Malone Among Guest Arrivals At 'St. Vincent' New York Premiere - Part 3

Not only could the stellar cast be found beaming on the red carpet at the New York premiere of upcoming comedy 'St. Vincent', but supporting guests from 'Desperate Housewives' star James Denton to 'Inherent Vice' actress Jena Malone were also snapped arriving at the event.

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The Disappearance Of Eleanor Rigby Trailer

Conor (James McAvoy) and Eleanor (Jessica Chastain) play a couple who fall in love and get married, before hitting various hiccups in their relationship. However, this film is far from the clichéd love story, and instead tells the tale from both points of view, as well as relatable and engaging look at the relationship of two people still trying to figure out who the other person truly is. The Disappearance of Eleanor Rigby charts the highs and lows in a relationship between two people trying to recreate the past, so as not to let their love fade away. 

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Paris Fashion Week - Chanel - Outside Arrivals

Isabelle Huppert - Paris Fashion Week Haute Couture Fall/Winter 2014-2015 - Chanel - Outside Arrivals - Paris, France - Tuesday 8th July 2014

Isabelle Huppert
Isabelle Huppert

BFI London Film Festival: 'Abuse Of Weakness' European Premiere

Isabelle Huppert - BFI London Film Festival: 'Abuse of Weakness' European premiere held at the Odeon West End - Arrivals - London, United Kingdom - Monday 14th October 2013

Isabelle Huppert
Isabelle Huppert
Isabelle Huppert
Isabelle Huppert
Isabelle Huppert and Catherine Breillat
Isabelle Huppert

Dead Man Down Review


Here's yet another preposterous action movie that's made watchable by a skilful director and an engaging cast. While there are some intriguing themes in this spiralling odyssey of revenge, the script never really makes any sense out of the plot, merrily twisting and turning as it whizzes past a series of glaring improbabilities. But Colin Farrell and Noomi Rapace put their huge brown eyes to work, holding our sympathies as things get messier by the moment.

Farrell plays Victor, a gun-toting goon working for the slick mobster Alphonse (Howard), who is being taunted by a complex, unnerving plot to bring him down. But Victor is sidetracked by his neighbour Beatrice (Rapace), who comes on strong before revealing that she has seen his handiwork and will report him to the cops if he doesn't help her get revenge against the guy who scarred her face in a drunk-driving accident. This puts Victor in a difficult position since he's already engaged in his own plan to avenge the brutal deaths of his wife and daughter, assisted by a family friend (Abraham) from the old country.

And the plot gets increasingly knotty, as both Victor and Beatrice start to wonder if perhaps falling in love with each other might be a more pleasant way to get over their anger issues. Yes, the film is essentially preaching love and redemption even as the body count nears triple digits. Fortunately, director Oplev brings the same slick-steely style to the film as his original The Girl With the Dragon Tattoo. And the always watchable Farrell and Rapace get solid support from Howard and Abraham, as well as Cooper (as Victor's brother in arms), Huppert (as Beatrice's busy-body mum) and the underused Assante (as the big boss).

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Amour Trailer

Anne and Georges are a devoted, elderly couple who both used to be music teachers. One day, Anne has a stroke which leaves her partially paralysed and unable to look after herself. Georges, being old and not up to strength himself, does his best to take care of her but is placed under considerable strain given the amount of attention she needs and the fact that she isn't always compliant with him. However, he maintains his promise to her that he will not send her to a nursing home to be cared for. Their daughter Eva lives abroad and also has a career in music but tries to convince her father to let someone else care for her despite his promise. Just how far will this couple's love take them, and will their partnership survive?

Since its release in November 2012, this powerfully moving French drama has garnered much praise with five Oscar nominations and four BAFTA nominations. Director and writer Michael Haneke ('The White Ribbon', 'The Piano Teacher') also won the Palme d'Or award on its release at the Cannes Film Festival but, most recently, the movie bagged the Best Foreign Language Film award at the Golden Globes in January 2013.

Director: Michael Haneke

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Amour Review


A striking look at a long-term relationship, this film is an antidote to those who are tired of shamelessly sweet depictions of retirees, such as The Best Exotic Marigold Hotel or Hope Springs. Meanwhile, it's perhaps the most emotionally resonant film yet from Austrian filmmaker Michael Haneke, who specialises in crisp explorations of the darker side of humanity (see The White Ribbon or Cache). By contrast, this Cannes-winner is a clear-eyed drama about ageing that completely avoids manipulation and schmaltz, but is still deeply moving.

The story takes place largely in one apartment in Paris, where Georges and Anne (Trintignant and Riva) are enjoying their golden years. Then one night, after attending a concert by one of Anne's former piano students, she has a small seizure that's just the first step in a slide into partial paralysis. Georges is happy to care for her, and they still have moments of happiness. Even when their daughter (Huppert) barges in and tries to meddle with their decisions about the future. As Anne's condition deteriorates, Georges gets help from his neighbours (Agirre and Blanco) and a nurse (Franck). But he never feels that taking care of Anne is a burden.

Unsurprisingly, Haneke tells this story without even a hint of sentimentality. Even though the premise lends itself to big emotions, he keeps everything quietly authentic. The flat itself almost becomes a character in the story, with each outsider's arrival as a kind of invasion. Scenes are captured in his usual long, unbroken takes with no background music to tell us how to feel. Instead, we experience the situations along with Georges, and we understand why he takes such a practical approach, refusing to overdramatise even the most emotive events.

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'Amour' Premiere During The 65th Annual Cannes Film Festival

Emmanuelle Riva, Isabelle Huppert, Jean-Louis Trintignant, Michael Haneke and Cannes Film Festival - Emmanuelle Riva, Susanne Haneke, Michael Haneke, Isabelle Huppert and Jean-Louis Trintignant Sunday 20th May 2012 'Amour' premiere during the 65th Annual Cannes Film Festival

Emmanuelle Riva, Isabelle Huppert, Jean-Louis Trintignant, Michael Haneke and Cannes Film Festival
Emmanuelle Riva, Isabelle Huppert, Jean-Louis Trintignant, Michael Haneke and Cannes Film Festival

2011 Cannes International Film Festival - Day 6 - The Tree Of Life - Premiere

Isabelle Huppert Monday 16th May 2011 2011 Cannes International Film Festival - Day 6 - The Tree of Life - Premiere Cannes, France

Isabelle Huppert
Isabelle Huppert

White Material Review

Claire Denis resolutely refuses to make simple movies, so this intense drama set during a civil war in central Africa feels somewhat elusive as it concentrates on emotions rather than plotting. But it's still riveting.

Maria (Huppert) is passionate about her family's coffee plantation, which she runs with her ex-husband Andre (Lambert) and her father-in-law (Subor). She's sure that a violent clash between the army and rebels will pass them by, so she works to make sure the harvest goes as planned. But Andre, now married to a local woman (Ado), is more realistic. And their late-teen son Manuel (Duvachelle) is struggling to find his identity. Meanwhile, an iconic rebel leader (De Bankole) has taken refuge in Maria's home.

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VillaAmalia Review

Insinuating and enigmatic filmmaking adds to the central mystery of this intensely personal odyssey, which gets under the skin even as it begins to feel a bit meandering and ill-defined. But of course, Huppert is magnificent.

Ann (Huppert) is rattled one evening by two events: she sees her partner Thomas (Beauvois) kissing another woman and she runs into Georges (Anglade), an old friend who knew her before she became a famous pianist. Suddenly she decides to leave her current life behind, dumping Thomas, selling her flat and hitting the road. And Georges is the only person she tells; to everyone else she has simply vanished. She ends up on an isolated Italian island, where her life is redefined by her new friends (Bindi and Sansa). But can she fully escape her past?

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White Material Trailer

White Material gets its UK cinema released on July 2nd 2010.

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Home Review

With this playful fable, filmmaker Meier takes a clever look at family life by placing the characters in a surreal location and then twisting things outrageously. And terrific acting makes it surprisingly resonant.

Marthe and Michel (Huppert and Gourmet) live in idyllic isolation on an unfinished highway with their three children: snarky sunbather Judith (Leroux), obsessive teen Marion (Budd) and lively young Julien (Klein). But their quiet life is about to be shattered when, after 10 years, Route E57 is finally opened. Suddenly, they're cut off from work and school by a crowded, high-speed motorway. But while Marion frets about pollution, Marthe refuses to leave her beloved home, leaving Michel no choice but to take drastic action.

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Private Property Review

Sibling rivalry and real estate disputes are two great topics for cinematic drama. Mix the two together, and you can hope for some serious combustion. In Private Property, divorced Pascale (the always elegant Isabelle Huppert) lives with her twenty-something twin sons, François (Yannick Renier) and Thierry (Jérémie Renier) on a beautiful Belgian farm that she won in a bitter divorce ten years earlier. The stage is set.

It's a strange life. When Pascale is not battling her ex-husband over money, she's trying to control her bratty sons, who seem to have no desire whatsoever to behave like adults. François is more of a mama's boy, while Thierry has a temper and has traditionally sided with his father in family disputes. Pascale, who only now is starting to date again, needs to break out of this routine.

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Isabelle Huppert

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