Serge (Depardieu), better known as Mammuth, is a long-haired biker dude who has retired from working in a slaughterhouse. His sharp-tongued wife Catherine (Moreau) has no idea how he'll fill his time and, when his pension doesn't come through, she starts to worry that her supermarket job isn't enough to make ends meet. So he dusts off his old motorbike and heads off in search of the papers he needs to claim his pension. But riding it sparks memories of his lost love (Adjani), who haunts him as he travels from town to town.
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My nominee for the culprit would be the plot, which is convoluted and plodding. In short, Paris is in flux as the Nazis make their advances in 1940. A spoiled, petulant actress (Isabelle Adjani) travels with her new beau of convenience, the Prime Minister, played by a slim Gérard Depardieu. Meanwhile, her childhood friend (Grégori Derangère) - whom she inadvertently framed for murder - has escaped from jail.
Continue reading: Bon Voyage Review
The story is timeless. Evil boarding school principal Guy (Chazz Palmenteri) is married to ex-nun Mia (Isabelle Adjani), a nervous "child bride" with a penchant for heart medication. Guy also has at least one mistress, the cold-as-ice Nicole (Sharon Stone), and everyone knows of and quietly accepts the affair. They all work and live under the auspices of the school, and in the darkness of its halls, a plot is hatched by Mia and Nicole to do away with Guy for good. It starts to get a little hairy when, after a seemingly perfect murder is pulled off, things start to seem not-so-perfect and questions over potential witnesses and the actual life-or-death-ness of Guy begin to surface.
Continue reading: Diabolique (1996) Review
In the film, Polanski plays a quiet man who moves into a small apartment recently vacated by a woman who committed suicide by jumping out of the window -- for unknown reasons. Polanski's Trelkovsky quickly becomes embroiled in mysterious goings-on, including a dalliance with a stranger (Isabelle Adjani) he encounters at the hospital while visiting the former tenant's death bed, endless creepy apartment-mates, and a slow descent into insanity as he becomes obsessed with the life of the former tenant.
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Rhys -- reinvented here as Isabelle Adjani's wide-eyed Marya Zelli -- found her husband, an illegal art dealer, arrested and thrown into prison. Suddenly broke, she shacked up with a pair of Brits of questionable morality, eventually getting cut loose, whereupon she would become a professional writer.
Continue reading: Quartet Review
Mortelle randonnée (literally: Deadly Run) dates back 20 years, produced in France just three years after the book was published. By all accounts it's more faithful to the original story: Older private eye tracks black widow-style murderess, slowly becoming infatuated with her to the point where he becomes unable to do anything to apprehend her -- he's too busy watching.
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Continue reading: The Story of Adele H. Review