The production values in Anything But Love are primitive, the story is derivative, performances are sometimes awkward and, yet, there's a reason it did well in eight festivals. This courageous film takes itself completely seriously and expresses an ardent vision of its subject: the music and styles of the '50s.

Though it's too limited in scope and budget to be -- as the ad copy would have it -- a celebration of the "style and sensibility of Technicolor musicals," co-writers Robert Cary and Isabel Rose have put together a fairytale story line with a Sweet Home Alabama dilemma: Their heroine has to choose between the rich guy and the dedicated, artistic type; between financial independence and a hazardous career.

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