After the 2011 black comedy The Guard, Brendan Gleeson reteams with writer-director John Michael McDonagh for a darker comical drama grappling with issues of faith and forgiveness. McDonagh's usual jagged dialogue and snappy characters are on-hand in abundance while the film digs deep through a rather meandering, episodic plot.
In rural Ireland, Father James (Brendan Gleeson) is quietly enduring confessionals when one of his parishioners says he's going to kill him next Sunday. Shaken, James begins to explore his faith and mortality over the coming week. His daughter Fiona (Kelly Reilly) arrives following another suicide attempt, and he consoles a grieving French visitor (Marie-Josee Croze) and visits an imprisoned killer (Domhnall Gleeson). But almost anyone in the village could be the aspiring murderer: the over-emotional butcher (Chris O'Dowd), drug-addict doctor (Aidan Gillen), ladies-man African (Isaach De Bankole), shifty millionaire (Dylan Moran), eccentric fisherman (M. Emmet Walsh).
Intriguingly, it never really matters who issued the threat (James has a pretty good idea), because that's not the point of the film. McDonagh is exploring bigger ideas here, adeptly mixing riotously funny dialogue with startlingly bleak emotions. The film's languid pace nearly lulls us to sleep, then wakes us up with another sparky scene-stealing performance from the gifted cast. Gleeson is wonderfully muted, expressing more with an exhausted sigh than most actors can manage with a Shakespearean monologue. His moments with Reilly crackle with honest emotion, and the deceptively simple scene between father and son actors Brendan and Domhnall is a heart-stopper.
Continue reading: Calvary Review
Father James Lavelle is a good-natured priest whose life is thrown into confusion and disarray when an anonymous man tells him in confession that he will kill him in a week's time - the only reason being because Lavelle is an innocent man. Of all the shocking things he's ever heard in confession, none have thrown him quite as much as this. Unable to go to the police under the rules of the 'Seal of the Confessional', Lavelle consults his church peers pondering whether it was merely an idle threat, or whether his life really is in danger. In his apparent last week in existence, he scrutinises the corrupt individuals of his sin-filled parish, wondering along the way why people seem to focus more on their vices than their virtues, but when his beloved church is burnt to the ground, his views on good and evil become distorted.
'Calvary' is the darkly comic drama about the timeless story of good and evil, and guilt and innocence. It has been directed and written by BAFTA nominated John Michael McDonagh ('The Guard', 'Ned Kelly') and is set in Ireland's beautiful West Coast countryside. The film is set to be released on April 11th 2014.
Adenike and Ayodele Balogun are a traditional Nigerian couple living in Brooklyn, New York and working together to run a small family restaurant. Following their joyful marriage, like most Nigerian couples, they were expected to have children. However, after so many years, it becomes clear that one of them is struggling with fertility issues, and there is little chance of conception between the two of them. With Ayodele's mother dreaming of them having a son named George and wanting what she believes is a perfect life for her son, Adenike fears that he will stray from her and is forced to make a decision that could either ruin or salvage their floundering marriage. However, it soon becomes clear that the only way to save them is to make sure she keeps her decision secret.
Continue: Mother Of George Trailer
Maria (Huppert) is passionate about her family's coffee plantation, which she runs with her ex-husband Andre (Lambert) and her father-in-law (Subor). She's sure that a violent clash between the army and rebels will pass them by, so she works to make sure the harvest goes as planned. But Andre, now married to a local woman (Ado), is more realistic. And their late-teen son Manuel (Duvachelle) is struggling to find his identity. Meanwhile, an iconic rebel leader (De Bankole) has taken refuge in Maria's home.
Continue reading: White Material Review
A lone man (De Bankole) is on a mysterious mission, flying into Madrid then travelling to Seville and Alicante. Along the way, he has a series of clandestine meetings with a nervous violinist (Tosar), an enigmatic blonde (Swinton), a naked seductress (de la Huerta), a British guitarist (Hurt), an edgy Mexican (Garcia Bernal), a silent driver (Abbas) and an arrogant American (Murray). But he's all business, never distracted from his assignment and quietly hearing the philosophy that seems to swirl around his every move.
Continue reading: The Limits of Control Review
The Limits of Control, the 11th feature by the New York-born auteur Jim Jarmusch, is another work that is inarguably stamped by its director's idiosyncrasies and, like Volver, there have been several critics who have questioned if its artistic success is not so much a result of it being a Jarmusch film rather than simply a good film. It emits a dark-shade cool, as befits any Jarmusch joint, and it features several of the director's usual performers, including the Ivorian-born actor Isaach De Bankolé in the lead.
Continue reading: The Limits of Control Review
Jim Jarmusch and Isaach De Bankole - Jim Jarmusch and Isaach De Bankole New York City, USA - Special New York screening of 'The Limits of Control' at Landmark's Sunshine Theater - Arrivals Tuesday 28th April 2009
Throughout the course of one night, we are driven around in five separate taxi cabs that range from familiar ports of L.A. and New York City to the echoing streets of Paris and Rome to the final ride through the frozen-over metropolis of Helsinki, right as the sun is rising. In Los Angeles, a big-time agent (Gena Rowlands) tries to seduce her rough-and-tumble cab driver (an insolent Winona Ryder) into becoming an actress. While in New York, a jerky Brooklynite (the superb Giancarlo Esposito) teaches his German cab driver (Armin Mueller-Stahl) how to drive, talk, and jive correctly while also trying to escort his sister-in-law (Rosie Perez) home.
Continue reading: Night on Earth Review
Jarmusch enlists a diverse cast of indie stars and former colleagues for this modest ensemble, but his uncharacteristically wheezy writing frequently undermines the film's wry humor. Cate Blanchett, in a dual performance, plays an arrogant version of herself as well as her skuzzy, jealous cousin, but the piece's portrait of jealousy and resentment loses steam after you become accustomed to seeing the actress talk to herself. Similarly, The White Stripes' Meg and Jack White provide a brief lesson on inventor Nikola Tesla's Tesla Coil, but save for the creepy, Mao Tse-tung-inspired portrait of Lee Marvin hanging on the wall behind them, the skit is nothing more than an overly long non sequitur. And even a brief appearance by Steve Buscemi can't rescue an insipid bit about two argumentative African-American twins talking racial politics in a Memphis diner.
Continue reading: Coffee And Cigarettes Review
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