It's a strange and distant tale that would only appear on Jerry Springer in America but comes off as quirky and cute when presented from the cold Nordic perspective. Hylnur still lives at home, and when mom brings in her flamenco instructor Lola (the Kinks' famous song of the same name -- about a she-male -- plays throughout the film and in the most bizarre of contexts), things get dicey. One drunken night, Lola and Hylnur get it on -- and Lola ends up pregnant. And guess what: Mom and Lola want to keep their baby.
Continue reading: 101 Reykjavík Review
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